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ESUn muerto y decenas de heridos en colisión de dos trenes al norte de LondresESEstados Unidos vence a Australia 2-0 y avanza en el Mundial 2026ESNiño de 3 años gravemente herido tras ser arrojado al foso de cocodrilos en un zoológico del Reino UnidoESIncendio en Villaverde: Más de 800 afectados y pérdidas millonarias tras un fuego en una nave de trasterosESLinkin Park triunfa en Galicia en una noche de redención y nueva vidaESBrote de salmonelosis en el Colegio Estudio Conde Orgaz de MadridESAchraf Hakimi irá a juicio por presunta violación en FranciaESTrump recrudece críticas contra Meloni tras negarle ella una fotoESBrasil busca su primer triunfo en el Mundial 2026 ante HaitíESPau Cubarsí: "No venimos de jugar un gran partido, pero tenemos las pilas cargadas"ESUn muerto y decenas de heridos en colisión de dos trenes al norte de LondresESEstados Unidos vence a Australia 2-0 y avanza en el Mundial 2026ESNiño de 3 años gravemente herido tras ser arrojado al foso de cocodrilos en un zoológico del Reino UnidoESIncendio en Villaverde: Más de 800 afectados y pérdidas millonarias tras un fuego en una nave de trasterosESLinkin Park triunfa en Galicia en una noche de redención y nueva vidaESBrote de salmonelosis en el Colegio Estudio Conde Orgaz de MadridESAchraf Hakimi irá a juicio por presunta violación en FranciaESTrump recrudece críticas contra Meloni tras negarle ella una fotoESBrasil busca su primer triunfo en el Mundial 2026 ante HaitíESPau Cubarsí: "No venimos de jugar un gran partido, pero tenemos las pilas cargadas"
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Steven Soderbergh

Stabil4 Meldungen4 QuellenZuletzt aktualisiert: 10.06.2026

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Why are respected film-makers suddenly embracing AI?
Technik
21.04.2026

Why are respected film-makers suddenly embracing AI?

From Soderbergh to Aronofsky, esteemed Hollywood directors are starting to find ways to include artificial intelligence in the production of their filmsIn Steven Soderbergh’s beguiling new movie The Christophers, a reclusive artist (Ian McKellen) tangles with the quiet art forger (Michaela Coel) who his greedy children have hired to secretly finish further entries in a well-known painting series. The movie is smart and provocative about the nature of artistry and authorship, exploring what it means to create – and to stop creating. It’s especially fascinating coming from Soderbergh, who has made movies with workhorse dependability (The Christophers is his third theatrical release of the past 18 months) and also spent four years retired from directing features entirely.It also provides particularly jarring context for Soderbergh, in interviews promoting the film, to voice his interest in something that a lot of great artists have pointedly refused to embrace: using AI in films. Soderbergh mentioned in an interview with Filmmaker Magazine that he used what sounds like generative AI to produce “thematically surreal images that occupy a dream space rather than a literal space” for his upcoming documentary about John Lennon and Yoko Ono. He also said that a movie he’s hoping to make about the Spanish-American war would use “a lot of AI”. In a subsequent conversation with Variety, Soderbergh didn’t sound like an AI evangelist, but nor did he back down: “I don’t think it’s the solution to everything, and I don’t think it’s the death of everything. We’re in the very early stages. Five years from now, we all may be going, ‘That was a fun phase.’ We may end up not using it as much as we thought we were going to.” Continue reading...

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