Une brasserie bretonne fait face à des poursuites judiciaires de Yoko Ono et Mireille Mathieu pour l'utilisation de leurs noms dans le brassage de bières. La brasserie a cessé la production des bières litigieuses.
Steven Soderbergh's documentary 'John Lennon: The Last Interview' premiered at Cannes, featuring clips from Lennon's final interview hours before his death. The film highlights Lennon and Yoko Ono discussing life, death, their relationship, and his return to music.
Un birraio bretone nel mirino del trust della vedova del celebre Beatles
Yoko Ono a mis en demeure une brasserie du Finistère de ne plus commercialiser sa blonde «John Lemon». L’action a provoqué un coup de pub qui a fait s’envoler les ventes.
Aurélien Picard, owner of L'Imprimerie brewery in Bannalec, Brittany, has been ordered by Yoko Ono to stop selling his John Lemon craft beer, claiming trademark infringement. The lemon and ginger-flavoured beer, featuring a caricature of John Lennon with lemon-slice glasses and the tagline "Get Bock," has been sold for five years. Ono registered the John Lemon trademark a decade ago to protect her late husband's name. Picard faces a €100,000 fine plus €1,500 daily until he stops, but has been allowed to sell remaining stock until July 1.
From Soderbergh to Aronofsky, esteemed Hollywood directors are starting to find ways to include artificial intelligence in the production of their filmsIn Steven Soderbergh’s beguiling new movie The Christophers, a reclusive artist (Ian McKellen) tangles with the quiet art forger (Michaela Coel) who his greedy children have hired to secretly finish further entries in a well-known painting series. The movie is smart and provocative about the nature of artistry and authorship, exploring what it means to create – and to stop creating. It’s especially fascinating coming from Soderbergh, who has made movies with workhorse dependability (The Christophers is his third theatrical release of the past 18 months) and also spent four years retired from directing features entirely.It also provides particularly jarring context for Soderbergh, in interviews promoting the film, to voice his interest in something that a lot of great artists have pointedly refused to embrace: using AI in films. Soderbergh mentioned in an interview with Filmmaker Magazine that he used what sounds like generative AI to produce “thematically surreal images that occupy a dream space rather than a literal space” for his upcoming documentary about John Lennon and Yoko Ono. He also said that a movie he’s hoping to make about the Spanish-American war would use “a lot of AI”. In a subsequent conversation with Variety, Soderbergh didn’t sound like an AI evangelist, but nor did he back down: “I don’t think it’s the solution to everything, and I don’t think it’s the death of everything. We’re in the very early stages. Five years from now, we all may be going, ‘That was a fun phase.’ We may end up not using it as much as we thought we were going to.” Continue reading...
