Critiques de cinq films : "Ulysse" (comédie dramatique sur le syndrome de Noonan), "Toy Story 5" (animation sur l'impact de la technologie), "Backrooms" (horreur énigmatique), "Jim Queen" (animation sur un influenceur) et "La Baleine et le Musicien" (documentaire musical et animalier).
Le film d'horreur "Backrooms", créé par le jeune prodige de YouTube Kane Parsons, sort en France après un succès phénoménal aux États-Unis, où il a généré plus de 248 millions de dollars au box-office mondial.
Tác phẩm "Backrooms" của Kane Parsons, lấy cảm hứng từ ảnh trên 4chan, đạt 248,5 triệu USD toàn cầu sau hai tuần. Phim khai thác văn hóa Internet, phong cách found footage và analog horror, thu hút khán giả trẻ Gen Z và Alpha.
Steven Spielberg's new sci-fi film "Disclosure Day" debuted at number one at the US box office, grossing $44 million. Globally, it earned $92.9 million in its opening weekend, with a production and marketing budget of $195 million. The film's success relies on sustained audience interest and international performance.
Le phénomène horrifique du web "Backrooms", né sur 4chan en 2019, devient un film produit par A24. Le long-métrage, qui sort le 17 juin en France, reprend la légende d'un dédale de pièces vides et menaçantes.
Le phénomène internet des "backrooms", un labyrinthe parallèle à notre réalité, devient un film d'horreur réalisé par le jeune Kane Parsons. Le film, produit par A24, explore ces espaces liminaux avec une atmosphère anxiogène et des performances solides, malgré quelques faiblesses scénaristiques.
O filme de ficção científica e suspense 'Dia D', dirigido por Steven Spielberg, estreou em Boa Vista. A trama aborda a descoberta de vida extraterrestre e o pânico mundial.
Seleção de eventos gratuitos e pagos para toda a família na região centro-oeste paulista em junho de 2026, incluindo quermesses, shows, rodeios, peças teatrais e festas juninas.
The "Backrooms" film, directed by 20-year-old Kane Parsons, has achieved a historic opening weekend, earning $118 million globally. Originating from a viral creepypasta image and story, the film's success highlights a shift in Hollywood towards content creators from platforms like YouTube.
Filmes de terror "Backrooms" e "Obsessão", dirigidos por youtubers, lideram bilheterias nos EUA e Brasil. "Backrooms" arrecadou US$ 80 milhões em seu fim de semana de estreia, superando expectativas e recordes de estúdio.
Le réalisateur de 20 ans Kane Parsons a conquis le box-office américain ce week-end avec "Backrooms", un film d'horreur inspiré d'un concept de "creepypasta" né sur YouTube. Le film a récolté environ 80 millions de dollars pour son premier week-end d'exploitation.
Il film horror "Backrooms", basato sul "creepypasta" di internet, porta sul grande schermo l'incubo di un labirinto extra-spaziale. Diretto dal giovane Kane Parsons, il film vede Chiwetel Ejiofor nei panni di un architetto che scopre un portale verso questa dimensione.
YouTube creators are increasingly finding success in feature films, particularly in the horror genre. Directors like Kane Parsons (Backrooms), Curry Barker (Obsession), and Markiplier (Iron Lung) have achieved significant box office success in 2026, challenging traditional film school pathways and demonstrating the platform's potential as a training ground.
Backrooms, with a $10M budget, is projected to earn $90M in its opening weekend, surpassing A24's record and outperforming The Mandalorian and Grogu's debut, despite mixed reviews compared to fellow low-budget horror Obsession.
20-year-old filmmaker Kane Parsons' feature debut 'Backrooms', inspired by a 4chan meme, is set to break A24's box office record, offering a wholly original, frightening cinematic experience.
La película Backrooms: sin salida, basada en la serie viral de Kane Parsons, explora la pesadilla colectiva de la generación Z a través de un espacio surrealista y terrorífico inspirado en la cultura de Internet y los videojuegos.
The Senate Banking Committee is set to markup the Clarity Act, a comprehensive crypto market structure bill, amidst intense lobbying from both the crypto industry and traditional financial institutions, particularly over stablecoin regulations.
