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BackPianist Jayson Gillham Denies Misleading MSO Over Gaza Remarks
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ABC Top Stories5/18/2026Law3 min readAustralia

Pianist Jayson Gillham Denies Misleading MSO Over Gaza Remarks

Quick Look

  • Pianist Jayson Gillham is suing the Melbourne Symphony Orchestra (MSO) for discrimination, denying he misled them about performing a piece dedicated to journalists killed in Gaza.
  • The case tests free speech in workplaces.

AI-generated summary

Why It Matters

Pianist Jayson Gillham is suing the Melbourne Symphony Orchestra (MSO) for discrimination based on his political beliefs after they cancelled a performance. Gillham introduced a piece dedicated to journalists killed in Gaza with comments about Israel targeting them, which the MSO cited as a safety concern.

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Concert pianist Jayson Gillham has denied he deliberately misled the Melbourne Symphony Orchestra (MSO) about performing a piece dedicated to journalists killed in Gaza.

It has been almost two years since Gillham played Witness, by composer Connor D'Netto, at an MSO concert. He introduced it onstage with comments about Israel killing journalists.

The pianist is suing the orchestra in the Federal Court for discrimination based on his political beliefs in a case that will test the limits of free speech in Australian workplaces.

Giving evidence on the opening day of a 15-day trial, the pianist agreed he had not told the orchestra or his agent about his intentions to play the piece.

"I worried the MSO would not allow the performance, they would find an excuse," he said.

Gillham introduced the composition by saying Israel targeted journalists in an effort to prevent the documentation and broadcasting of war crimes.

It prompted the orchestra to cancel another performance at the Melbourne Town Hall, citing safety concerns.

Earlier today, the orchestra argued Gillham would have anticipated people would be upset by his comments, with management responding to the incident within minutes.

The organisation had no warning about Gillham's onstage comments and felt misled by him, MSO barrister Justin Bourke, KC, told the court in his opening address.

"He knew he was overstepping the line. He knew he was going to make political statements about Gaza," Mr Bourke said.

Mr Gillham's barrister, Sheryn Omeri, KC, said the case was fundamentally about the right to freedom of expression for workers and whether those rights could be limited by the implied terms of a contract.

She said the pianist's comments were lawful and audience members who did not want to listen to them could have left the Southbank venue.

The orchestra received one written and two verbal complaints after the concert, followed by 487 complaints about its decision to cancel Mr Gillham's next performance, the court heard.

But Mr Bourke argued an unfettered right to free speech on the stage could have profound consequences, affecting ticket sales, sponsors and donors.

It would ultimately be unworkable, especially if an artist wanted to speak on stage for an hour, he added.

"We are entitled to have control over our own stage, especially when statements are going to be made that are highly controversial," Mr Bourke said.

Justice Graeme Hill encouraged lawyers on both sides of the dispute to limit their rhetoric about events in the Middle East.

Intergenerational conflicts in the region between Palestinians and Israelis escalated on October 7, 2023, when Hamas — a designated terrorist organisation in Australia and Western allies — launched an assault in southern Israel that killed more than 1,200 people.

Since then, more than 72,000 Palestinians have been killed in the Gaza Strip, according to figures from Gaza's Ministry of Health cited by the United Nations.

The trial is expected to run for three weeks and the orchestra is expected to call about 20 witnesses.

Open Questions

  • Will the court rule in favor of free speech in the workplace or the orchestra's right to control its stage?
  • What are the specific implied contract terms being debated?
  • How will the court weigh the impact on MSO's operations versus the artist's rights?
  • What is the exact nature of the safety concerns cited by the MSO?

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This article was originally published by ABC Top Stories.

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