
路透新聞學研究所《2025數位新聞報告》顯示,全球約4成民眾選擇避開新聞,台灣與日本迴避率相對較低。
路透新聞學研究所《2025數位新聞報告》指出,「新聞疲勞」成為全球挑戰,約4成受訪者常避開新聞。亞太地區中,印度迴避率最高達50%,台灣與日本則相對較低,分別為21%與11%。民眾獲取資訊管道正轉向社群媒體與影音平台。
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路透新聞學研究所發布《2025數位新聞報告》,調查全球民眾對新聞的接觸意願與習慣。報告指出資訊過載與負面新聞聚焦是導致新聞疲勞的主因。
「新聞疲勞」正成為全球現象。
壞消息太多,讓你愈來愈不想看新聞?在資訊轟炸之下,「新聞疲勞」正成為全球現象,亞太地區也有類似跡象。最新統計顯示,半數印度受訪者有時或經常避開新聞,高居亞太11個國家之首;台灣卻僅21%,排名倒數第2,僅高於日本的11%。
資訊轟炸讓人吃不消,愈來愈多人開始選擇少看新聞。Seasia Stats引述路透新聞學研究所(Reuters Institute)《2025數位新聞報告》指出,全球約有4成受訪者表示,有時或經常避開新聞,比例已來到該研究所歷來紀錄的高檔,「新聞疲勞」也成為媒體面臨的重要挑戰。
從亞太地區來看,各地民眾對新聞的態度差異相當大。此次列出的11個國家及地區中,印度新聞迴避比例最高,達50%,相當於每2名受訪者就有1人有時或經常不想接觸新聞。
緊追在後的是菲律賓48%,泰國也有41%。澳洲為40%,印尼及馬來西亞同為39%;南韓降31%,新加坡與香港分別為27%及26%。
台灣則僅21%受訪者表示有時或經常避開新聞,在此次比較的11個亞太國家及地區中排名倒數第2,僅高於日本的11%。路透新聞學研究所也特別指出,台灣與日本是《2025數位新聞報告》中新聞迴避程度相對較低的地區。
為何有人愈來愈不想看新聞?報告指出,人們可能被持續湧入的大量資訊壓得喘不過氣,尤其當新聞大量聚焦衝突、政治爭端、經濟困境或其他令人不安的事件時,更容易產生新聞疲勞。
年輕族群也較可能認為新聞難以理解、與自己的生活缺乏關聯,或容易引發充滿敵意的爭論,因此選擇減少接觸新聞。
不過,避開傳統新聞並不代表完全不接收資訊。報告發現,人們取得新聞的管道正持續轉向社群媒體、影音平台及網路創作者。在印度、菲律賓及泰國等亞洲國家,更多人表示偏好在網路上「看」新聞,而不是閱讀新聞。
各國之間的差異凸顯了亞太地區新聞閱讀習慣的多元性,這些差異可能反映了媒體環境、文化、科技使用以及人們與新聞關係等方面的差異。

The editor of the social platform "Real-time Weather Forecast" was blocked by a TV station for correcting an exaggerated weather title. This move sparked outrage among Threads netizens, who criticized the TV station for "not being able to afford it" and using farm-style headlines to create panic. They all said they would block the TV station in reverse.

The 78th Frankfurt Book Fair opened on October 7, local time at the Frankfurt Exhibition Center in Germany. China Book Import and Export (Group) Co., Ltd. organized more than 80 domestic publishing and cultural units to participate in the exhibition, setting up a 336-square-meter joint booth with the unified image of "Reading China", displaying more than 3,000 kinds and 4,600 volumes of high-quality books, and planning to hold 55 publishing cultural exchange activities. The book fair will last until October 11 and is expected to receive more than 230,000 visitors.

When the German version of writer Yang Shuangzi's work "Taiwan Odyssey" was promoted in Munich, controversy arose because the interpreter failed to faithfully convey the dialogue and deliberately avoided sensitive political terms. Spring Mountain Publishing House has decided to switch to German-based writer Lin Yuli as the interpreter for subsequent sessions to ensure the smooth progress of the event.

Taiwan's Cutting-Edge Publishing House republished the works of Chinese writer Gu Man without localizing Chinese terms such as "bus" and "mouse", saying it was in compliance with the author's request. This move caused public outrage on social platforms, and was questioned as a cultural united front and losing the meaning of purchasing the traditional Chinese version.

Zhejiang Radio and Television Group launched the first AIGC drama documentary "Tang Shouqian 1911". Through digital scene restoration technology, it tells the historical deeds of modern pioneer Tang Shouqian who presided over the road construction and road protection movement and promoted the peaceful recovery of Hangzhou. AIGC participated in the audiovisual content accounting for 70% of the film.

China’s National Radio and Television Administration has called for stronger support for live-action dramas to counterbalance the rapid growth of AI-generated microdramas, citing concerns over content quality and copyright protection while advocating for higher production standards and tighter rights safeguards.