The film 'In-I in Motion' captures the creative process of Juliette Binoche and Akram Khan's dance drama.

(Seoul = Yonhap News) Reporter Jeong Rae-won = Actress Juliette Binoche and dancer Akram Khan face each other in an empty practice room.

6개월 뒤 무대에 올릴 공연을 함께 만들어야 하지만 정해진 대본도, 안무도 없다. 두 사람은 사랑과 고통이라는 막연한 주제만을 놓고 완전한 백지에서 출발한다.

The film 'In-I in Motion', which will be released on the 14th, is a documentary that depicts the creation process of 'In-I', a dance play that Binoche and Khan created together in 2008.

The two people worry about how to express the beginning and end of love and the pain they experience in between on stage, building up their words and gestures one by one, gradually finding the form of the performance.

For Binoche, who has never formally studied dance, expressing emotions through his body is unfamiliar, and for Khan, a world-class dancer, revealing his inner self through lines is a new challenge.

Love and pain, which were intangible at first, gradually turn into concrete movements and scenes as the two people reveal their experiences.

영화는 공연을 완성하기까지 6개월을 시간순으로 따라간다. The 170 hours of rehearsal footage filmed by Binoche's older sister included moments of improvising and discarding movements, and of repeatedly worrying about a single line or a single gesture.

비노슈는 과거의 경험에서 길어 올린 독백을 통해 사랑에 대한 두려움을 털어놓는다. 홀로 무대에 서서 자기 경험을 쏟아내는 그의 독백은 긴 여운을 남긴다.

칸 역시 어린 시절의 기억과 가족, 자신이 자라온 문화와 종교에 관한 이야기를 꺼낸다. The relationship between two people goes to a new level as they share intimate experiences that they would not normally reveal to the other person.

After looking into each other's wounds, the two fall in love with a different feeling than at first, and develop into lovers who long for each other and exchange hurts.

두 사람이 무용극을 완성해가는 과정은 지독한 사랑과 정념을 그린 한 편의 로맨스 영화처럼 느껴진다.

Particularly interesting is the process in which movements that were initially unclear as to what they were expressed become established as a single scene through repeated rehearsals.

두 사람은 수많은 대화와 리허설을 통해 실제 감정에서 자연스럽게 나오는 움직임을 찾아간다.

Even audiences who have never seen a dance theater can easily fall into the performance by following the conversation between the two people.

영화 후반부에는 그렇게 완성된 '인-아이'의 공연 실황이 펼쳐진다.

Thanks to watching the entire production process step by step, the second half of the performance has a much bigger impact than if you just watched it by itself.

To the audience, who have already seen how the two people developed their movements based on their memories and wounds, the performance seems like another movie.

In particular, Binoche, who is familiar as an actor, pushes his emotions with his whole body, and Khan, a dancer, reveals his inner self with his voice and facial expressions, showing how deeply the two people have entered each other's territory.

Binoche rewatched the footage 16 years later and recalled, "I was amazed by the intensity of the work and the spark of our desire to move forward without fear."

Released on the 14th. 125 minutes. Suitable for ages 15 and older.