第十二届丝绸之路国际艺术节展演剧目,由查明哲导演,海清、邢佳栋领衔主演
第十二届丝绸之路国际艺术节展演剧目《死无葬身之地》11月13日至14日在西安开元大剧院连演两场,由查明哲导演,海清、邢佳栋领衔主演。该剧改编自萨特同名剧作,聚焦二战末期法国抵抗运动游击队员在酷刑与死亡面前的自由选择。
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《死无葬身之地》是法国存在主义哲学家萨特的同名剧作,自1997年首次搬上中国舞台以来,历经近三十年艺术积淀与四度复排,是中国国家话剧院的经典保留剧目。
中新网西安11月14日电 (记者 张一辰 李一璠)11月13日至14日,作为第十二届丝绸之路国际艺术节展演剧目、中国国家话剧院经典保留剧目的《死无葬身之地》在西安开元大剧院连演两场,由查明哲导演,海清、邢佳栋领衔主演。
这部讲述二战末期法国抵抗运动游击队员在酷刑与死亡面前进行“自由选择”的剧作,以跨越时空的精神力量,在古都西安掀起一场关于尊严与生存的灵魂风暴。
日前,该剧主创主演见面会上,部分主创主演与观众围绕作品创作、人物塑造分享幕后故事。《死无葬身之地》改编自法国存在主义哲学家萨特的同名剧作。自1997年首次搬上中国舞台以来,作品历经近三十年艺术积淀与四度复排。
作品并未着力渲染战争场面,而是将戏剧冲突聚焦于封闭空间内的人物内心,如何通过演员的眼神、肢体、呼吸与情绪节奏,将人物复杂的心理博弈转化为充满张力的戏剧行动,是作品舞台呈现的一大看点。
11月11日,《死无葬身之地》主创主演见面会现场。 李一璠 摄
在导演查明哲看来,这部剧作上演多年仍受观众喜爱,核心在于其对人性的深度探讨,“我们需要不断地认识自己,考察自己,创造自己,超越自己,我想这对于我们每一个人都是有价值的。”
秉承“深掘有哲思的内涵与人物,精造有意味的形式和情境”的创作理念,团队通过细腻的表演设计与精准的舞台调度,放大了极端处境下的人物心理张力。
演员邢佳栋在剧中饰演卡诺里。他分享道,过往版本中的卡诺里如同“定海神针般的存在,坚如磐石”,而此次复排,他与导演一同为角色注入了更多情感底色,目标是塑造一块“有温度的磐石”,“希望自己的舞台能带着观众一起,在似乎不可能有明确统一答案的地方,做出我们的探索和思考。”
图为话剧《死无葬身之地》剧照。西安开元大剧院供图
演员查文浩饰演的昂利则呈现出一条完整而令人心碎的人物弧线。昂利理性、思辨、渴望掌控局面,却也是在极限压力下经历最剧烈精神崩塌的人。在查文浩看来,昂利更贴近普通人的真实心理——心底藏着成为英雄的渴望,却清晰知晓自身的局限,在绝境中不停挣扎与纠缠,是一个具有真实感的角色。
作为萨特极具代表性的戏剧作品,《死无葬身之地》没有简单的善恶判断,也没有轻易给出标准答案,每一次抉择都指向对自由、尊严与责任的深层思考。多年间,作品不断被演绎,与不同时代的观众产生共鸣。
“为什么要走进剧场看一部如此沉重、残酷又纠结的话剧?”邢佳栋说,在他看来,愿意走进剧场的观众,大多希望对人生意义、存在价值与日常选择等方面进行更多思考,而团队成员十分荣幸能与观众一道,在这些值得一生探讨的命题上共同思考、并肩前行。
“战争的硝烟已经远去,但关于生命、尊严与选择的命题从未过时。当帷幕落下,留给我们观众的不只是一个震撼的故事,更是一次关于人性的深刻凝视。”西安观众陈暮雨说。(完)

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