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Back第83屆威尼斯影展:《無名女人》奪金獅,李滄東獲評審團大獎
第83屆威尼斯影展:《無名女人》奪金獅,李滄東獲評審團大獎
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自由时报44 minutes agoCulture2 min readChinaView translation

第83屆威尼斯影展:《無名女人》奪金獅,李滄東獲評審團大獎

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第83屆威尼斯影展頒獎,丹麥導演梅愛圖琪執導的《無名女人》奪得金獅獎及最佳女演員獎,南韓導演李滄東新作《假如愛有如果》獲評審團大獎,以色列紀錄片《NAZA》獲評審團特別獎。

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Why It Matters

第83屆威尼斯影展是國際電影節的重要事件,本屆主競賽共有21部電影參賽,女性導演比例受到關注。

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2026/09/13 07:30

〔記者鍾志均/綜合報導〕第83屆威尼斯影展台灣時間今(13)凌晨頒獎,原本被視為「金獅大熱門」的南韓名導李滄東,最終與最高榮譽擦身而過!由丹麥女導演梅愛圖琪執導的《無名女人》(暫譯,Woman, Unknown)爆冷奪金獅,女主角瑪蒂爾德阿塞爾更一併抱走最佳女演員獎,成為本屆主競賽唯一「一片雙獎」的作品。

李滄東以《假如愛有如果》奪下評審團大獎。(翻攝自官方IG)

李滄東《假如愛有如果》(가능한 사랑)拿下僅次於金獅的「評審團大獎」,由評審之一的香港導演杜琪峯親手頒獎給他,現場響起熱烈掌聲。

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而《無名女人》是本屆21部主競賽片中,唯一一部由女性「單獨執導」的作品;故事把觀眾帶回二戰結束後的丹麥,年輕女傭Marie即將嫁給富有的鰥夫Christian,眼看就要從僕人翻身成為女主人,卻藏著一個足以毀掉新人生的祕密。

香港導演杜琪峯(左)頒發「評審團大獎」給李滄東。(翻攝自官方YouTube)

《無名女人》把女性身體如何在戰爭後仍成為被審判的「戰場」搬上銀幕,也因本屆女性導演比例過低的爭議,奪獎後讓網上吵成一片,有人盛讚評審團做出強烈表態,也有人質疑作品是否真的強到足以壓過其他熱門片。

至於李滄東時隔8年推出的新片《假如愛有如果》由全道嬿、薛景求、趙寅成、曹汝貞組成夢幻卡司,透過兩對階級截然不同的夫妻交會,撕開婚姻、慾望與階級落差。

本屆唯一部女導演執導的《無名女人》,獲最佳影片金獅獎。(翻攝自官方IG)

《假如愛有如果》先前已先獲得費比西國際影評人獎,評審團盛讚,這部作品探討剝削與階級、愛與慾望、所有權以及「講故事的倫理」,以複雜的節奏在多個層面上展現微妙的權力關係。

李滄東上一次攻進威尼斯主競賽已是2002年的《綠洲」,當年拿下最佳導演銀獅獎,如今相隔24年再度從威尼斯抱回大獎,雖未能替韓國電影再添一座金獅(韓國至今唯一一座金獅獎為已故導演金基德《聖殤》),仍寫下漂亮回歸。

《無名女人》獲頒最佳影片金獅獎。(翻攝自官方IG)

另一部到影展後半段引爆全場的紀錄片《NAZA》則獲頒「評審團特別獎」。電影由以色列雙導演尤法亞伯拉罕、瑞秋索執導,全片在特拉維夫屋頂夜間拍攝,透過24名內部人士證詞,調查以色列軍方在加薩戰爭中的軍事鎖定與殺傷機制;作品首映後更獲得長達約25分鐘掌聲,成為本屆最具政治震撼力的作品。

★ 第83屆威尼斯影展「主競賽單元」得獎名單(影片多為暫譯):

最佳影片金獅獎:《無名女人》(丹麥、瑞典、拉脫維亞)

最佳導演銀獅獎:《DAU》伊利亞赫爾扎諾夫斯基(俄羅斯)

評審團大獎:《假如愛有如果》(南韓)

評審團特別獎:《NAZA》(以色列、美國、英國)

最佳男演員:《荒野九號》約翰馬克維奇(美國)

最佳女演員:《無名女人》瑪蒂爾德阿塞爾(丹麥)

最佳新進演員:《15/18》瑪洛赫比齊(法國)

最佳劇本:《乖小兵》(法國)

未來之獅獎:《風起之家》(喀麥隆、法國)

製表 / 記者鍾志均

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Open Questions

  • 《無名女人》在丹麥及其他國家的上映時間與票房表現如何?
  • 李滄東的《假如愛有如果》在韓國及國際市場的反應如何?
  • 紀錄片《NAZA》在以色列及國際上的爭議與影響程度如何?

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This article was originally published by 自由时报.

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