
Scholars and translators at the 45th Sharjah International Book Fair highlight cultural context, publishing priorities, and promotion.
Scholars and translators at the 45th Sharjah International Book Fair emphasized that translating Arabic literature requires conveying cultural context, navigating publishing priorities, and enhancing promotion to reach international audiences effectively.
AI-generated summary
The 45th Sharjah International Book Fair brings together publishers, authors, and scholars from around the world.
Translating Arabic literature is only the first step towards reaching international readers, scholars and translators said at the 45th Sharjah International Book Fair (SIBF 2026), pointing to cultural context, publishing priorities and promotion as decisive factors.
Dr Jubran, a Lebanese-Brazilian academic who translates between Arabic and Portuguese, said direct equivalents often fail to carry the cultural and political meanings of the original. A translator, she said, must focus on “conveying the soul of the expression”.
Moroccan literary critic Dr Dahi traced how Arabic literature first reached foreign audiences, citing French translations of Naguib Mahfouz’s works. He credited Arab intellectuals and diaspora members educated in the West, as well as Orientalist translators, with introducing Arabic works abroad.
Dr Darghmouni, a Moroccan professor of comparative literature who has translated Mahmoud Darwish’s poetry into Italian, said translation has helped challenge portrayals of Arab societies as exotic or fundamentally different from European ones. It has done so by showing “the diversity of Arab literature”, she said.
She added that literary prizes have brought Arab writers to wider audiences, but cautioned that publishing priorities, commercial expectations and translators’ own perceptions also shape which books are chosen.
Kurdish-Syrian novelist and critic Hussein said even well-translated Arabic works in English can struggle to gain recognition. Publishers and the literary community, he said, need to “invest in making these works visible”, through promotion, distribution and critical attention.
The 45th SIBF runs from November 4 to 15 at Expo Centre Sharjah under the theme ‘Made of Stories’, with the Sultanate of Oman as Guest of Honour. Organised by the Sharjah Book Authority, the fair brings together 3,212 publishers and exhibitors from 126 countries, according to organisers. They say it offers more than 1.7 million titles and 1,500 cultural events, with 106 guests from 25 countries.

Guggenheim Abu Dhabi opens on Saadiyat Island with general admission at Dh70; free entry for children under 12, people of determination and one companion, UAE senior citizens, and ICOM members; reduced admission for students, teachers, and UAE residents; bookings online.

Indian actress Tamannaah Bhatia launched Tamanna Fine Jewelry after spotting a market gap, plans four film releases in 2027 across Hindi and Tamil cinema, and shared her Diwali experience at a Dubai Festivals and Retail Establishment event.
Nitesh Tiwari's Ramayana collected Rs 94.10 crore on its sixth day, down 12.5% from Monday's Rs 107.50 crore, placing it third among Indian releases of 2026 worldwide. Produced by Prime Focus Studios and Monster Mind Creations on a reported Rs 4,000 crore budget, the film stars Ranbir Kapoor, Yash, and Sai Pallavi. Producer Namit Malhotra confirmed Part Two will arrive at Diwali 2028 and outlined a franchise spanning spin-offs, theme parks, a Broadway musical, and video games.
The 32nd Dubai Shopping Festival runs from December 4 to January 17, opening with immersive experiences including a multimedia light show at JBR bay on December 5 and a candlelight concert at Hatta Wadi Hub on December 2 celebrating Eid Al Etihad.
Dubai hosts ISEA2026, the 31st International Symposium on Electronic/Emerging Art, running until November 15 under the theme ELYAH. Inaugurated by Sheikha Latifa bint Mohammed bin Rashid Al Maktoum, the event brings together international artists, researchers, and innovators to explore art, science, and technology, featuring more than 100 artworks and 145 research papers across Dubai.

Singer-composer Amaal Mallik argues that if Indian cinema is blamed for real-world violence, songs deserve equal scrutiny, offering his own chartbusters Kar Gayi Chull and Rom Rom Romantic as examples. He condemns the Andhra Pradesh attack as horrifying and wrong, rejects blaming any single film or filmmaker, and points to rap tracks on YouTube and Instagram from north India that glorify murder and describe women as items, urging parents to follow age ratings and not bring infants to A-rated films.