Club 77 in Sydney’s Darlinghurst has reopened after a major accessibility renovation funded by an NSW government grant, featuring ramps, wheelchair lifts, adjustable DJ booths, sensory areas, and staff training, following consultation with disabled patrons and electronic music community members like DJ Lana Zilla.
AI-generated summary
Club 77 has been a fixture in Sydney’s nightlife for nearly three decades, known for its steep stairs and tight techno basement, posing barriers for patrons with disabilities.
Lana Zilla has been a DJ in Sydney for the better part of 15 years, but lately, they have not been behind the decks as much.
They have what they describe as "dynamic" or "fluctuating" disabilities, which means sometimes they require mobility aids such as a walker or a stick.
"I haven't been DJ’ing, because it can be hard to ask for [accommodations]," they said.
At the clubs they do play at, Mx Zilla said generally, accessibility was "not great".
It is an issue that has prompted Dane Gorrel, who owns Club 77 in Darlinghurst, to make some major changes.
"We programmed some artists with disability a couple of times … and there was always issues with setting it up, and making it right, and making it comfortable for them," he said.
"Making the club accessible has been something that we've been looking at for a very long time."
Redesign focuses on accessibility
The electronic music venue has been a fixture of the city's nightclubbing scene for almost three decades.
Longtime patrons would be familiar with the steep set of stairs at its entry way, leading to a moody, tight techno basement.
But earlier this year, it used a grant from the NSW government to undergo an extensive renovation.
After months of work, Club 77 reopened in late July with a redesign focused on accessibility.
The club sought advice from an accessibility consultant and other members of the disabled and electronic music communities.
The back-alley entrance has a ramp and a wheelchair lift, accessible bathrooms have been installed, part of the bar has been lowered, and there is a dedicated sensory area off the dance floor.
The DJ booth can be adjusted for a performers' height, and can move forward and backward to accommodate mobility aids.
Haptic vests, which vibrate to the beat of the music, are also available for patrons who are deaf or hard-of-hearing.
The more accessibility upgrades, 'the better'
Interior designer Kristie Paul was brought onboard for the project.
"I've been here probably about 400 times … so I was very happy to be involved," she said.
"There was a lot of feasibility, a lot of research, a lot of investigation, numerous consultants and numerous iterations of the floor plan.
"We didn't want to take the character away from [Club] 77, we just wanted to upgrade it."
Mr Gorrel said they wanted to go beyond just the "common practice" accessibility upgrades, like installing ramps or accessible bathrooms.
"It was kind of a difficult process to find how to make the club accessible, and past examples of other venues that have actually done it," he said.
"From our research and talking to people, nothing is ever fully accessible, so we've done everything we possibly can to be as accessible as possible."
The club is also rolling out training programs for staff, so they can better cater to patrons with disability.
Mx Zilla said the changes would make a big difference.
"Just being able to turn up and have things being accessible to you would just be amazing, and not having to feel like you're a problem for asking for things."
Mr Gorrel said he would like to see other venues follow suit.
"The more of these types of accessibility upgrades happen, the better," he said.
"My advice would be to do your research, to put your time in, speak to the right people, consult the community.
"The best advice you can get is someone actually with lived experience."
A win for the wider community
Mx Zilla said for some venues, the easiest improvement they can make is often just letting the public know if they are accessible.
"The communication between venues and punters is really lacking, especially with like Facebook and Instagram, they're not updating things," they said.
At Club 77, Mr Gorrel said feedback on the renovations had been positive.
"There's been patrons that have come in and they've just been excited that they can actually get in the venue safely by using the lift, they can order a drink at the bar, and then they can go to the toilet comfortably and get around the entire club without having any issues.
"If you go back all those years ago, it was all about minority communities, and that's where this entire scene has been built off.
"We just wanted to honour that history, and move forward into a new chapter."
AI outlook — possibilities, not facts
Other venues in Sydney may follow Club 77’s example in implementing accessibility upgrades.
Possible · Within months
Australian children's author Andy Griffiths has been commemorated with a 4-metre-high 3D-printed portrait titled Andy Andy by artist Ronnie van Hout at the National Portrait Gallery in Canberra. The artwork, unveiled days after the death of his long-time illustrator Terry Denton, reflects Griffiths' enduring childlike creativity and punk-inspired absurdist humor, alongside a companion piece called Brainstorm that explores his creative influences. The exhibition runs until mid-2027.
Original Wallace & Gromit, Shaun the Sheep and Feathers McGraw puppets were auctioned in London to support Aardman's talent development initiatives, with Feathers McGraw fetching £56,700. Proceeds will fund bursaries and skills programs for emerging filmmakers.
American rapper Macklemore announced a 'Free Palestine' concert tour starting next month in Dublin, Paris, and London after being dropped as Ed Sheeran's opening act over pro-Palestinian remarks. He stated proceeds will support Palestinian organizations and criticized attempts to silence artistic expression on Palestine, while Israeli officials deny genocide allegations in Gaza.
Australian actress and producer Delvene Delaney revisits Kakadu National Park for the 40th anniversary of Crocodile Dundee, sharing how the kookaburra's call reminds her of her late husband John Cornell, who co-wrote and produced the iconic film with Paul Hogan, and discussing the documentary she made about its legacy.
Tasmania is bidding to host an episode of the BBC's Antiques Roadshow, with residents like Chris Gooley and Kathleen Moore sharing personal artefacts such as a carved stone with initials H.L. and 1910, and century-old porcelain dolls, to highlight the state's heritage and storytelling potential, supported by the National Trust of Tasmania and Destination Southern Tasmania.
Lainey Wilson shares her journey from a small Louisiana town to Grammy-winning country music stardom, discussing her childhood influences, early performances as Hannah Montana, her move to Nashville, and the mentorship of Dolly Parton and inspiration from Tim McGraw that kept her grounded.