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The Dresden music festivals were held in May and June under the motto "Ease of Being". The Vienna Philharmonic hosted during their tour, which also included performances at the Lucerne Festival in Hamburg and Berlin.
The Vienna Philharmonic sparked a storm of applause during a guest performance in the expanded program of the Dresden Music Festival in the Elbe city's Cultural Palace. The musicians from the city on the Danube played works by Antonín Dvořák and Sergei Prokofiev under the direction of Russian conductor Tugan Sokhiev. The real highlight was the American violinist Hilary Hahn, who interpreted Dvořák's Violin Concerto with technical brilliance and a lot of warmth and had the audience cheering for minutes.
Polka as a bouncer
In the second part of the program, the Viennese played excerpts from the ballet music for “Romeo and Juliet” by Sergei Prokofiev and were able to shine with solo performances in all instrument groups. After Hilary Hahn, who is considered a star without airs in the classical music world, treated the audience to two encores, the Vienna Philharmonic followed up with a polka by Johann Strauss as a “bouncer”.
The music festival year “Lightness of Being” comes to an end
This year's Dresden Music Festival had the motto “Lightness of Being” and took place in May and June. However, the renowned festival always contacts its fans with “subtle tones” at different times of the year. After performances at the Lucerne Festival, in Hamburg and Berlin, the Vienna Philharmonic stopped off in Dresden on their return journey. There will be a concert in Prague on Saturday, and on Sunday they can be seen again at the “home game” in Vienna.
Guest performance of the Dresden Music Festival at the Lucerne Festival
The Dresden Music Festival, on the other hand, made a guest appearance with its Wagner project at the Lucerne Festival on Thursday. The final part of Richard Wagner's "The Ring of the Nibelung" was performed by the Festival Orchestra and the Concerto Köln under the direction of Kent Nagano on historical instruments and in the singing and speaking style of the Wagner era. The “Ring” should sound like the audience heard it when it was created. Paris is on the schedule on Sunday. In May 2027, the entire “historic ‘Ring’” can be experienced in Vienna.
On Open Monument Day, over 6,500 monuments open their doors in Schleswig-Holstein and throughout Germany, including the Mürwik Naval School, the railway high bridge near Rendsburg and places in the area around Alfred Nobel's place of work in Geesthacht. The motto is "Networks: Monuments and Infrastructure".
On the second Sunday in September, over 350 historical monuments in Rhineland-Palatinate open their doors as part of Open Monument Day. Under the motto “Networks: Monuments and Infrastructure”, visitors can visit, among others, the Imperial Palace in Ingelheim, the Alte Post Forum in Pirmasens, the Roman ceramic kilns in Rheinzabern and the Kaiser Franz Fortress in Koblenz. The event has been coordinated by the German Foundation for Monument Protection since 1993.
The book premiere of the second novel by Palestinian author Adania Shibli will be celebrated at the Berlin International Literature Festival. Despite the expected political attention, no symbols such as the keffiyeh or the Palestine flag appear. Instead, visitors of all ages stand in line for wine and enjoy pretzels and colorful bowls. The hall fills with a multilingual audience from all over the world.

The British Museum is showing the 70 meter long Bayeux Tapestry for the first time. The 1,000-year-old linen artwork illustrates William the Conqueror's conquest of England in 1066 and is on loan from France.

In his new book, the literary scholar Peter-André Alt examines how social debates in the Federal Republic were reflected in the actions of the chancellors and when intellectual thinking influenced politics. He illuminates the tension between writers and politicians from Adenauer to Scholz and shows that mind and power usually operate in separate worlds.
The 15th Berlin Art Week (September 9-13, 2026) connects Berlin galleries, museums and private collections. Despite the lack of a central art fair, formats such as the 'Hallen' in Reinickendorf and the 'Positions Art Fair' in Tempelhof are establishing themselves as important marketplaces.