
大衛雷奇執導犯罪動作電影,尼可拉斯霍特率領動物面具搶匪,將犯案過程拍成影片上傳網路,引發警匪鬥智
由大衛雷奇執導的犯罪動作電影《搶銀行先修班》將於本週五(13日)在台灣上映,尼可拉斯霍特率領一群戴動物面具的搶匪,將搶案過程拍成影片上傳網路衝流量,意外爆紅並引發警方追捕,電影模糊好壞人界線,探討現實壓力與制度邊界。
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文章介紹由大衛雷奇執導的犯罪動作電影《搶銀行先修班》,講述一群戴動物面具的搶匪將犯案過程拍成影片上傳網路,意外成為網路紅人並引發警方追捕。電影於本週五(13日)在台灣上映。
由《子彈列車》、《死侍2》動作大導大衛雷奇執導的全新犯罪動作電影《搶銀行先修班》,顛覆傳統警匪片玩法,一群搶匪不僅戴著動物面具大膽犯案,還將每次搶案拍成影片上傳網路,靠犯罪衝流量,意外成為網路紅人,卻也因此引來警方追捕。
《搶銀行先修班》描述一群戴動物面具的搶匪大膽犯案,還將搶案過程拍成影片上傳網路,衝出驚人流量。(索尼影業提供)
片中尼可拉斯霍特率領一群搶匪,戴上狼、兔子、熊等動物面具犯案,將每次搶銀行的過程拍攝、剪輯後上傳網路,隨著犯案次數增加,網路聲量也跟著水漲船高。
電影還集結柔伊克拉維茲、澤井杏奈、彼得戴維森、約翰C萊利等卡司,分別飾演天才軟體工程師、逃亡車手、搶匪成員及追查案件的資深FBI探員,讓這場網路爆紅的犯罪行動逐漸演變成警匪之間的鬥智對決。
為了呈現這群「網紅搶匪」的瘋狂世界,大衛雷奇特別為電影設計兩套截然不同的影像語言。角色回到真實生活時,電影大量採用35mm底片拍攝,刻意保留顆粒、瑕疵與粗獷質感;但只要搶案一開始,畫面便瞬間切換成網路世代熟悉的社群影像。
劇組甚至真的成立一支專門拍攝搶案的「YouTube拍攝小組」,動用小型攝影機、空拍機、360度攝影機等特殊設備,直接從搶匪自己的視角衝進犯罪現場;就連片中出現的其他社群影片,也另外配置專門的製作、剪輯與動態影像團隊,讓每場搶案不只是動作場面,更像是角色親手製作、準備上傳網路爆紅的影片。
澤井杏奈在《搶銀行先修班》中飾演團隊逃亡車手,為角色接受特技駕駛訓練,親自挑戰180度甩尾。(索尼影業提供)
演員也為了電影卯足全力。飾演團隊逃亡車手的澤井杏奈特別接受特技駕駛訓練,從一開始的恐懼,到最後甚至能親自完成180度甩尾;飾演技術高手Hugo的蘭斯費利茲則接受武器與特技訓練,練習翻越障礙及各種動作場面。
劇組更將大量追逐、逃亡場面搬到匹茲堡實景拍攝,利用當地橋梁、河流、鐵路與陡峭地形打造動作場面。其中一場大規模暴動戲更連續拍攝兩週夜戲,每晚動員數百名臨時演員,就連製片凱莉麥考密克都驚訝表示,過去從未遇過如此龐大的臨演陣容,經歷一整晚拍攝後,隔天竟還能全員活血回歸繼續拍攝。
談到拍攝該片的原因,大衛雷奇透露,比起研究「銀行到底要怎麼搶」,他更好奇的是「一個人為什麼會決定去搶銀行?」片中的主角並不是什麼神偷高手,而是一群努力生活、卻怎麼樣都追不上現實的普通人。
當工作、債務與生活壓力一步步把人逼到牆角,原本聽來瘋狂的搶銀行行徑,在現實逼迫下,似乎也不再那麼荒唐。大衛雷奇坦言,這正是最吸引他的地方:「到底發生了什麼事,才會讓搶銀行聽起來像個合理的計畫?」
電影也刻意模糊好人與壞人之間的界線,當搶匪成為數百萬網友追捧的偶像,追捕他們的執法人員反而開始重新思考正義與制度的邊界。
大衛雷奇直言,他從來不想替觀眾決定誰對誰錯:「如果觀眾看完電影,在回家的路上還在爭論這些角色做出的選擇,那我們就成功了。」當一群普通人開始覺得「搶銀行」比繼續照著規則生活更合理,真正出了問題的,究竟是他們,還是遊戲規則本身?《搶銀行先修班》將於本週五(13日)在台上映。
《搶銀行先修班》「狼群小隊」花絮:

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