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The Nantou kiln industry has a history of more than 200 years since its founding in the Qing Dynasty. It has developed diverse techniques such as relief, openwork carving, inlay, decals, and clay decoration. Over the years, the Taichung City Cultural Bureau has actively connected Taiwan's cultural and museum resources to promote cultural equality and the accessibility of art.
Cheung Wing-yu's work "Kowloon Boil" displays superb pasting sculpture techniques and highlights the majestic energy of the dragon's head and coils. (Photo by reporter Ou Sumei)
"Kiln Rhythm Reborn - 2026 Nantou Ceramics Special Exhibition" will be on display at Huludun Cultural Center in Taichung City from now until October 25th! Selected from Nantou ceramic art collections, award-winning works and masterpieces by famous artists, from traditional and skillful memories accumulated over generations to contemporary creations, it showcases the heritage of kiln fire and the new look of art.
The Cultural Affairs Bureau of Taichung City stated that the Huludun Cultural Center has been actively connecting Taiwan's cultural and museum resources for many years, bringing precious cultural and artistic achievements from all over the world into Taichung, and practicing the concept of "cultural equality and art accessibility". This year, the Cultural Affairs Bureau of the Nantou County Government was specially invited to cooperate with the exhibition. The Nantou kiln industry has been around for more than 200 years since its founding in the Qing Dynasty, and has developed diverse techniques such as relief, openwork carving, inlay, appliqué, and clay decoration. This exhibition also brings together the creative masterpieces of Nantou pottery families, a kiln art that has been passed down from generation to generation, showing the ever-changing vitality of clay.
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Among the exhibited works, Luo Jiming, winner of the "Taichung City Artists Relay Exhibition", exhibited the first-prize work "Wind of the Summer Night" in the ceramics category of the Nantou County Yushan Art Awards. He is good at creating fascinating color changes with glaze patterns, and combines dots, lines, surface elements and exquisite depictions of animals and plants to make the work full of visual hierarchy.
Zhang Yongyu, chairman of the Nantou Ceramics Society, presented his "Kowloon Boil" with exquisite pasting sculpture techniques, highlighting the majestic energy of the dragon's head and coils. Lin Guolong, the third generation of the Shuili Snake Kiln who inherited nearly a century of wood-fired history, brought the "virtual and real landscape" ceramic art aesthetic language that shows the interweaving of the actual landscape and the inner artistic conception.
In addition, the work "Dragon Plate" by Zeng Zhizhi, the fourth generation descendant of the "Ushi Unbori Pottery Family", uses a roughened disk combined with inlay techniques to depict the whirling shape of the dragon's body through molding and outline, showing the profound craftsmanship inherited by the family pottery. The "Huanglong" Pu'er tea warehouse created by Lin Qinghe, the third generation kiln owner of "Tianxing Kiln", strikes a balance between airtightness, stability and ventilation, and also implies the submersion and release of inner power.
The "2026 Nantou Ceramics Special Exhibition" will be on display at the Huludun Cultural Center in Taichung City from now until October 25. (Photo by reporter Ou Sumei)

The Yuanzhuang Governor's Residence built during the Japanese colonial period in Tainan's Longqi District has been restored and will be inaugurated on the 8th of this month. The district office will take over the management and outsource the operation. It plans to create a sightseeing route with light food, cultural exhibitions and surrounding attractions. It is expected to become a new highlight of this year's "Empty Mountain Festival" event.

During the National Day holiday, immersive "Songjiang Formation" performances were staged across Quanzhou, Fujian, integrating traditional martial arts and modern aesthetics, attracting citizens and tourists. Performers dressed in hairpins and garlands transformed into Liangshan heroes, performing formations such as the Green Dragon Formation and the Eight Diagrams Formation, and incorporated elements of South Fujian heritage such as Gaojia opera fighting and green lions spitting fire. The exhibition and performance connect the ancient streets, highlight the martial arts spirit and cultural heritage of southern Fujian, and enrich the cultural tourism industry.

The four generations of the Zhang family in Xiaotun Village, Anyang, Henan Province, have protected the archaeological memory of the Yin Ruins through the establishment of the Yin Ruins Oracle Bone Inscriptions Excavation History Museum, cross-sea communication and cultural inheritance, connected the research and emotional ties of oracle bone inscriptions on both sides of the Taiwan Strait, and witnessed the cultural affinity between the two sides over the past century.

The National Taiwan Museum of History will hold the special exhibition "The Queen of All Appearances" on October 13, and has specially loaned the Qing Dynasty "Mazu Sacred Relics" and the 17th-century white porcelain Guanyin statue from the Rijksmuseum of the Netherlands. The transportation of cultural relics adopts the highest standards, and is escorted by a professional team and undergoes rigorous unpacking and inspection procedures to ensure that the cultural relics are in good condition.

The 10th Pingyao International Film Festival was held recently, and the film "Spring in a Small Town" (4K restored version) directed by Chinese director Fei Mu had its Asian premiere. The event commemorated the 120th anniversary of Fei Mu's birth. Many experts and Fei Mu's son Fei Mingxu reviewed the artistic achievements and aesthetic legacy of this Chinese film master.
The family of Zhang Dongliang, a villager in Xiaotun Village, Anyang, Henan Province, has developed a deep friendship with the Yinxu archaeological team, which has been passed down for generations. Now he shares the research results of oracle bone inscriptions with Taiwanese scholar Li Xiuping and others through building museums and conducting research, continuing the fate of oracle bone inscriptions on both sides of the Taiwan Strait.