
2026雞籠城隍文化祭重頭戲城隍日巡今日登場,台灣省城隍廟、松山霞海城隍廟等六大城隍廟齊聚基隆巡行市區,活動特色包括松山霞海城隍廟兩隻大猩猩造型陪同巡行、豐原城隍爺廟全台唯一日式神轎、城隍夫人專屬神轎出巡以及沿途發送10000個鹹光餅祈求平安。
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基隆護國城隍廟今日舉辦城隍日巡,為慶祝護國城隍209年安座大典,活動為雞籠城隍文化祭重頭戲。
松山霞海城隍廟兩隻大猩猩參加基隆遶境很吸睛。(記者盧賢秀攝)
「2026雞籠城隍文化祭」 重頭戲「城隍日巡」今天下午盛大登場,為慶祝基隆護國城隍209年安座大典,台灣省城隍廟、松山霞海城隍廟、台北府城隍廟、豐原城隍爺廟、埔里瀛海城隍廟等6大城隍,齊聚基隆巡行市區、賜福百姓,護佑地方合境平安。
今年除了傳統城隍信仰文化,也加入多項特色,讓百年日巡宛如一場「城隍嘉年華」。基隆港正在展出黃阿瑪,今天中午6大城隍廟的七爺、八爺神將在海洋廣場和黃阿瑪合照。
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此外,松山霞海城隍廟「兩隻大猩猩」陪著城隍爺逛大街,巨大造型走進基隆街頭,沿途民眾爭相拍照;豐原城隍爺廟則帶來極具特色的「全台唯一日式神轎」,不同於傳統台灣神轎形式,展現各地城隍文化不同風貌。
城隍爺日巡今年準備了10000個「鹹光餅」沿途發送,許多民眾爭相索取,象徵城隍爺賜福、保平安。
還有「全台唯一城隍夫人出巡」,10多年前城隍夫人曾託夢表達希望能隨同城隍爺出巡,自此每逢日巡遶境,城隍夫人便乘坐專屬神轎,陪伴城隍爺巡行大街小巷。城隍爺、城隍夫人一前一後出巡,可說是神界版的「夫唱婦隨」,也成為雞籠城隍日巡中難得一見、最具特色的畫面之一。
豐原城隍廟的日式神轎也眾不同。(記者盧賢秀攝)
來自六家城隍廟的七爺八爺神獎在海洋廣場與黃阿瑪合照。(基隆護國城隍廟提供)
基隆護國城隍廟日巡,副市長邱佩琳扶神轎遶境,護祐闔境平安。(記者盧賢秀攝)
民眾帶著小朋友取索取鹹光餅吃平安。(記者盧賢秀攝)
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The craftsmanship of making tin-inlaid pots in Haiyang, Shandong Province has a long history and has gone through more than ten manual processes. It has been inherited and innovated by craftsmen such as Li Xiaoxia, Li Huatao and Yu Fangyan. This technique can be traced back to the Later Han Dynasty and flourished in the Qing Dynasty. It was selected as an intangible cultural heritage of Shandong Province in 2021. Faced with inheritance difficulties and aesthetic changes, the team of inheritor Che Shaolei expanded product applications through innovative design and launched the "Prosperous Ancient Charm" series, striving to make ancient skills rejuvenate in the modern era.

The 2026 Cross-Strait (Kunshan) Mid-Autumn Lantern Festival is held in Kunshan, Jiangsu Province. With the theme of "flowers blooming and lanterns reflecting both sides", it brings together Fujian and Taiwan element lantern sets and delicacies to attract people from both sides of the Taiwan Strait to enjoy the lantern show. The event will last until October 31, and will host art exhibitions, concerts and other diverse activities to promote cross-strait exchanges.
The "Guang Liu Su Yue" bronze mirror unearthed from the Leifeng Pagoda Underground Palace was engraved with a moon-appreciating scene. An event of the same name was held at the Leifeng New Pagoda 25 years later. Archaeologists and cultural and historical experts used the bronze mirror to discuss the origins of the Mid-Autumn Moon Appreciation and the dress and elegance of the Wuyue Kingdom, and published relevant research works.

At the 3rd Xinjiang Kashgar Cultural Industry Expo and Trade, intangible cultural heritage projects such as Daolang peasant paintings, Adelaide silk, and mold stamp printing entered the lives of young people through creative products such as dolls, thermos cups, dolls, etc., attracting many young people to participate in the experience. Intangible cultural heritage is shifting from "viewing" to "daily use."

The second Jiangxi Hakka Mid-Autumn Festival Moon Worship Ceremony kicked off on the evening of September 25 at the Hakka Cultural City in Ganxian District, Ganzhou City. With the theme of 'The moon is my hometown and guests come from all directions', it included Hakka lion dances, lantern tours, ancient moon worship, burning tile pagodas and other folk activities. It attracted visitors from all over the world to attend the Mid-Autumn Festival, highlighting the inheritance of Hakka culture and the achievements of rural revitalization.

During the Mid-Autumn Festival in Changsha, the 'Star City Time Series - Our Festival·Mid-Autumn Festival' series of activities was held at the Changsha Intangible Cultural Heritage Museum, including Hunan opera performances, traditional musical instrument ensembles, intangible cultural heritage markets, and handicraft experiences. Citizens and tourists can immerse themselves in the beauty of traditional culture. The activities cover multiple scenes such as venues, business districts, communities, campuses, temple fairs, etc.