
AI-generated summary
The artwork 'The Angels of Testimony' by Meiro Koizumi addresses memories of violence committed by Japanese troops during the Sino-Japanese War, featuring testimony from former soldier Hajime Kondo.
Created by contemporary artist Meiro Koizumi, “The Angels of Testimony”, has won acclaim overseas, but Japanese museums have been reluctant to exhibit the work, which confronts memories of violence committed by Japanese troops during the Sino-Japanese war.
“The work will only truly be complete when people can see it in Japan,” said Koizumi, 50, who hopes it will eventually be exhibited in his home country.
Three screens emerge from the darkness of the exhibition space. At the centre is the late Hajime Kondo, a former Imperial Japanese Army soldier who was 99 when the work was filmed.
AI outlook — possibilities, not facts
The artwork will eventually be exhibited in Japan after continued advocacy.
Possible · Within months

Pleasure Dance Theatre's 20th anniversary new work "Large Group Dance" was performed at the Taipei Performing Arts Center on September 12 and 13. It was performed by founding veterans Chen Wukang, Su Weijia, and Zhou Shuyi together with different young dancers. It explored physical differences and the possibilities of group dance by reorganizing fragments of past works, emphasizing the creative concept of "seeking common ground in differences, and seeking differences in common ground."

After two months of negotiations and political controversy, the Taiwan Pavilion of the Gwangju Biennale finally opened under the name "Taiwan Pavilion". The theme of the exhibition is "Infinite Copies: Gray Zone". Eight groups of Taiwanese artists present works that explore issues such as information overload in the digital age, the logic of surveillance, Internet conspiracy theories, historical forgetfulness and the engulfment of history by technology, and confront Taiwan's complex positioning and collective memory in geopolitics.

China announced a boycott over the use of the name "Taiwan Pavilion" at the Gwangju Biennale, believing that the move involved political interference in art. The Chinese Pavilion's curatorial team unanimously decided to withdraw from the exhibition. South Korea's Foreign Ministry said its policy toward Taiwan has not changed and that the dispute originated from the private sector. The Gwangju Biennale was founded in 1994 to commemorate the 1980 Gwangju Uprising and promote democracy and human rights-themed art.

The Kaohsiung Fine Arts Museum's new exhibition "Whispers in the Collection Warehouse" displays the warehouse collections and explores the process of art collection, acquisition and display. It invites 34 artists with a total of 85 works to explore the role of art institutions in the cultural ecology.