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BackDrauzio Varella é eleito para a Academia Brasileira de Letras e sucede Zuenir Ventura
Drauzio Varella é eleito para a Academia Brasileira de Letras e sucede Zuenir Ventura
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Drauzio Varella é eleito para a Academia Brasileira de Letras e sucede Zuenir Ventura

Médico, escritor e comunicador conquistou 29 votos pela Cadeira 32

Quick Look

Drauzio Varella foi eleito para a Academia Brasileira de Letras nesta quinta-feira (12), com 29 votos, para ocupar a Cadeira 32, vaga desde a morte de Zuenir Ventura em 22 de setembro de 2026.

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Why It Matters

Drauzio Varella é médico, escritor e comunicador, reconhecido como um dos principais nomes da divulgação científica no Brasil, com projeção por programas de televisão e conteúdos que aproximam informações médicas do cotidiano da população.

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O médico, escritor e comunicador Drauzio Varella foi eleito para a Academia Brasileira de Letras (ABL) nesta quinta-feira (12). Ele conquistou 29 votos e venceu a disputa pela Cadeira 32, que estava vaga desde a morte do jornalista e escritor Zuenir Ventura, em 22 de setembro de 2026.

Ao longo da carreira, tornou-se um dos principais nomes da divulgação científica no Brasil. Seu trabalho ganhou projeção especialmente pela participação em programas de televisão e pela produção de conteúdos que aproximam informações médicas do cotidiano da população.

Open Questions

  • Qual é a data da posse na Academia Brasileira de Letras?
  • Quem foram os outros candidatos à Cadeira 32?
  • Quantos acadêmicos votaram no total?

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This article was originally published by G1.

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The Theatro da Paz, in Belém, receives this Friday (6) the title of World Heritage Site from UNESCO, in a joint application with the Teatro Amazonas, in Manaus. The ceremony, open to the public, takes place from 7pm in the theater and features jazz and folk dance performances, in addition to the presence of national and local cultural authorities. The recognition, granted in June 2026 during the 48th session of the World Heritage Committee in Busan, South Korea, highlights the relationship between theaters and the rubber cycle, the socioeconomic memory of the period and the combination of neoclassical architecture and Amazonian identity.

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