内蒙古自治区党委统战部主办的话剧《马走日》在呼和浩特演出,通过两位老红军和国民党老兵的故事,用象棋残局隐喻人生曲折与初心不变,强调立场不同不等于无情无义,传递两岸同根同源、家国同心的主题,已全国巡演50余场引发强烈共鸣。
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话剧《马走日》由内蒙古自治区党委统战部主办,已在全国巡演50余场,曾获内蒙古自治区第十六届精神文明建设“五个一工程”奖和黄河戏剧节优秀剧目奖等荣誉,通过象棋残局隐喻人生与家国情怀。
中新网呼和浩特9月8日电 题:小成本话剧,一张棋盘话明立场,半生家国读懂“同心”
中新网记者刘文华
9月6日晚,呼和浩特。内蒙古自治区文化馆群众剧场的灯光渐渐暗下来,舞台上,一张老棋盘、两把旧椅子、一壶凉了又热的茶。
由内蒙古自治区党委统战部主办的话剧《马走日》专场演出,就此开场。
没有宏大布景,没有炫目特效,两位白发老人往棋盘前一坐,台下几百人却屏住了呼吸。散场时,很多人走得很慢,有人一边往外走一边在低声聊:“这戏,得回去跟爸妈讲讲。”
这不是一出“好人打坏人”的戏
马成钢,老红军;相学泽,国民党老兵。俩人是打小一起下棋的发小,抗日战争和解放战争的岁月里,一个加入共产党,一个进了国民党阵营,从此天各一方。数十年后,两位古稀老人在一座平静的小院重逢,隔着几十年的时间,还是坐回了同一张棋盘前,还是那盘没下完的残局。
象棋里马走“日”字,斜着走、绕着走,可再怎么绕,落子处始终向前。这个意象贯穿全剧:人这一辈子,路可以走得很曲折,但人心里认准的那个正道,是不会变的。
全剧最戳人的一句台词,是老人在棋盘前说的:“立场不同,不等于无情无义。”这句话一出,台下明显安静了一瞬。
这出戏最难得的地方,是它没有把人物编写成标签。不是“红脸”对“白脸”,而是两个都真实、都有牵挂、都有遗憾的普通中国人。半生沧桑之后,他们在一盘棋里,把恩怨放下,把血脉相连。
演员的话,比台词更实在
演完下台,两位主演还没从戏里完全走出来。
饰演老红军马成钢的孟扬说得很朴实:“两岸同根同源、同饮一江水。在外的游子无论走多远,家乡永远备着好酒好菜热盼归期。‘两岸一家亲’是化不开的真情,无论何时,始终都是一条根。”
饰演国民党老兵相学泽的孙学慧则说,这部剧最打动人的,是“中国人骨子里的血脉真情”——“相学泽漂泊半生,经历思乡与孤独,两位古稀发小能跨越隔阂重逢,靠的正是割舍不下的同胞之情。”
在他看来,这部戏把两岸血浓于水的情谊,浓缩进了细腻的人物交锋里,融进了悲欢离合的真情里。
一台话剧,为什么是统战部门在办?
看到这里,可能有人要问:一出话剧,怎么是内蒙古自治区党委统战部主办、通辽市委统战部和科尔沁区委统战部等单位承办?
其实,答案就藏在这盘棋里。
统一战线是干什么的?说到底,就是凝聚人心、汇聚力量。而《马走日》讲的,恰恰是“求同存异、包容多样、家国同心、聚力同行”。两位老兵,立场曾经南辕北辙,但对家乡的念想、对亲人的牵挂、对这片土地的爱,是共同的。
演出介绍里有一段话,说得很透:团结,从来不是强求千篇一律、消除所有差异,而是在包容多样中凝聚思想共识。
一部“小成本”话剧,演了50多场
《马走日》不是新戏,此前已经拿下内蒙古自治区第十六届精神文明建设“五个一工程”奖、黄河戏剧节优秀剧目奖等多项荣誉。截至目前,已在全国巡演50余场,在浙江、福建、江西、北京等地都引发了强烈共鸣。
尤其是在福建演出时,台下不少观众与两岸故事有着切身的联结。
这次专场,现场坐着内蒙古全区统战干部代表、各界代表人士和各族群众,同时,中国新闻网及新媒体平台、“内蒙古统一战线”视频号、“中新社内蒙古”视频号全程直播,观众也能通过屏幕走近这段跨越半生的家国故事。
散场后,舞台上那张棋盘还亮着一束光。
这盘棋,两位老兵下了半生;这盘棋,我们这个民族也下了上百年。走过的路有直有弯,但落子的方向,从来没有变过——那就是团结、统一、一家人的日子。(完)
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