
The Canadian-Haitian writer responds to accusations against his novel “It Was That or Die”.
The writer Thélyson Orélien denies having used artificial intelligence for his novel “It Was That or Die”, while admitting plagiarism which he describes as “unacceptable errors” following a literary controversy.
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Thélyson Orélien is at the heart of a literary controversy after accusations of plagiarism and the use of AI in his novel.
Plagiarism, yes. AI, no. At AFP, Thélyson Orélien affirms that “no sentence” in his novel “was created” using artificial intelligence, as a collective has denounced since the end of September. Accusations at the origin of a vast controversy in the French literary world.
On the other hand, the author of It Was That or Die admits to being responsible for plagiarism, described as “unacceptable errors”. The Canadian-Haitian writer, in a text sent to AFP, presents his “apologies” for these borrowings. In the past, for publications in the Quebec press, the one which benefited from the status of revelation of the start of the school year was strongly inspired by texts signed by the journalist Louis Pauwels, the poet Edward Kamau Brathwaite or the futurologist Alvin Toffler.
The essayist Samuel Fitoussi, columnist for Le Figaro, is one of the users of the “Balance ton Claude” account, which revealed the writer’s supposed use of AI. “Those who liked this book liked it because they didn’t know that it was largely generated by an AI. If they had known the truth, they would have liked it less,” he explained, to defend his approach.
“It is said that It Was That or To Die was written by artificial intelligence. This is slander and heresy. I used tools here and there for research (...) But no sentence in this book was created by a machine,” Orélien declares on the contrary in his text sent to AFP and entitled This novel that I wrote.

More than 170 filmmakers, including the Dardenne brothers, Jacques Audiard and Justine Triet, warn in a column published in Le Monde about the risks for French cinema linked to the doubling of Canal+ VAT and the reduction in funding to France Télévisions in the 2027 budget project, estimating that this could lead to the disappearance of 80 films per year and 400 films over five years.

The Boréal publishing house is keeping the novel “It Was That or To Die” by Thélyson Orélien on sale. The author admitted plagiarism but denies the use of AI, while the publisher regrets not being able to prove the history of the manuscript before September 2025.

The Enfants-Rouges market in Paris was ravaged by a fire during the night from Sunday to Monday. At the same time, Morocco inaugurated in Fez the first museum of Jewish culture in the Arab-Muslim world.

The French audiovisual group Mediawan is joining forces with American actress and producer Reese Witherspoon to buy the production company Hello Sunshine, creator of the hit series The Morning Show, Big Little Lies and Daisy Jones & the Six. This acquisition brings to around twenty the number of production companies owned by Mediawan, which is celebrating ten years of existence. Financial details of the operation have not been disclosed.

Three weeks after accusations of plagiarism and use of AI targeting his novel “It Was That or Die”, writer Thélyson Orélien denies the use of AI, acknowledges past plagiarism and denounces racist harassment.

Director Andreï Zviaguintsev, distinguished at Cannes and designated foreign agent by Russia, will represent France at the 2027 Oscars with his film Minotaur, a work exploring political and private tensions.