
2026北京文化论坛于9月22日至23日在北京举行,约600名中外嘉宾围绕文化遗产保护、青年传承及文艺创作等议题展开交流,探讨传统文脉的当代活化路径,促进文明间的对话与理解。
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2026北京文化论坛旨在探讨文化遗产的系统性保护与当代传承。论坛汇集了全球专家学者,共同推动文化遗产作为文明交流的纽带。
中新社北京9月23日电 (记者 周兆军 吕少威)9月22日至23日,2026北京文化论坛在北京举行。约600名中外嘉宾围绕文化遗产系统性保护、青年传承、文艺创作转化等议题展开多元交流,将文化遗产保护作为联通不同文明的纽带,在思想碰撞中探寻传统文脉在当代活化传承的路径。
法国著名纪录片导演雅克·马拉泰尔(Jacques Malaterre)表示,仅仅保护文化遗产远远不够,必须把它传递下去,重新赋予它面孔、声音和情感;必须让来自另一种文化的人,也能理解这些遗产的重要性。正是在这一刻,“保护”升华为一件更宏大的事情——文明与文明之间的对话。
9月23日,北京文化论坛平行论坛“文化遗产保护传承与青年参与”在北京饭店举行。杨郁然 摄
罗马法兰西学院(美第奇别墅)董事会主席玛丽-塞西尔·津苏(Marie-Cécile Zinsou)指出,“后人会有属于他们自己的问题、愿望和看待方式。我们的职责并不是把一个已被我们完全解释的世界交给后人,而是把作品、知识和场所传递给他们,让他们能够从这些东西出发,以自己的方式继续创造。”
文艺如何与古老遗产相映成辉也是今年热议的话题。中国作家协会副主席阿来说,“我从不讳言古今中外伟大的文学作品对我的滋养,但我更要说,是来自民间的非物质文化遗产使我的作品更具中国韵味,更有情感与精神力量。更进一步讲,民间文化遗产,也是一笔巨大的审美遗产。作为一个文化工作者,自己应该有高度的自觉,使非遗传承中难以呈现的那些部分、有关中国人精神与情感以及世界观与审美性的部分,在我的作品得到响应。”
9月23日,2026北京文化论坛“文化遗产与文艺创作”平行论坛在北京举行。北京文化遗产“双百计划”在论坛上发布。 中新社记者 蒋启明 摄
青年力量,被视作文脉延续的关键变量。秘鲁驻华大使卡洛斯·巴斯克斯(Carlos Vásquez)以秘鲁利马历史中心的保护和开发实践为例,讲述了年轻人在其中发挥的重要作用。“保护文化遗产,并不仅仅意味着保护从过去继承下来的东西,更意味着让新一代能够发现它、思考它,并从中找到新的知识源泉。”
本届论坛设有多个文创展示区域。一批围绕北京中轴线、中国传统非遗技艺等打造的文创产品集中亮相,搭配数字交互装置,直观展现文化遗产“活起来”的多样可能。投资人大会上,金融机构、专家学者及文化企业代表齐聚一堂,共探资本如何赋能文化遗产转化,让历史资源转化为高质量的文化供给。
不少参会嘉宾表示,北京文化论坛持续为世界搭建文明对话桥梁。本届论坛以文化遗产为切入点,联通古今,沟通中外,既亮出中国保护传承的实践经验,也敞开怀抱吸纳全球智慧。随着论坛各项成果逐步落地,不同文明之间的理解与联结将进一步加深。

On September 23, 2023, the handover ceremony for the return of 12 lost cultural relics and artworks from the UK to China was held at the Chinese Embassy in the UK. Both China and the UK stated that the return of cultural relics is an important achievement in jointly implementing international conventions and protecting cultural heritage. It reflects the mutual respect and determination of both parties to combat illegal trafficking of cultural relics, and will help promote cultural exchanges and the development of relations between China and the UK.

The Chinese version of Malaysian Prime Minister Anwar's autobiography "Self-Reinvention" was released on September 23 in Hangzhou, Zhejiang. Anwar shared his life experience and thoughts on justice, reform and the development of emerging countries at the event, emphasizing the importance of Malaysia-China relations and mutual learning between civilizations.

The Taipei City Cultural Affairs Bureau launched "Taipei Cultural Tour: Van Gogh", selecting 20 places from 100 scenic spots to incorporate elements of Van Gogh's paintings. Mayor Chiang Wanan stated that the purpose is to bring international art into the neighborhoods and the daily lives of citizens, and pointed out that local cultural artists such as Yang Sanlang Art Museum and Kishuan Literary Forest are also included in the plan.

Lianshan Zhuang and Yao Autonomous County, Qingyuan City, Guangdong, held the 2026 Chinese Farmers Harvest Festival at the Shiping Zhuang Yao Cultural Tribe in Yonghe Town on September 23. The event included ethnic song and dance performances, a harvest market, agricultural competitions, intangible cultural heritage displays, and farmhouse entertainment experiences, attracting guests from all over the world to celebrate the harvest with local people.

On September 23, a joint exhibition of Guangxi art works commemorating the 90th anniversary of the victory of the Chinese Workers’ and Peasants’ Red Army’s Long March opened at the Guilin Art Museum. The exhibition brings together more than 100 works by specially invited artists from Guangxi and outside the region, covering traditional Chinese painting, oil painting, watercolor, sculpture, digital art and other forms. It looks back at the revolutionary history and shows the diverse aspects and innovative vitality of Guangxi's art creation in the new era. It will last until November 2.

At the "Cultural Heritage and Literary Creation" parallel forum, about 260 Chinese and foreign guests exchanged views on the theme of "Creative Transformation and Artistic Rebirth of Cultural Heritage". The guests agreed that cultural heritage needs to enter the emotions and lives of contemporary people in order to come alive, and emphasized that although artificial intelligence can give cultural heritage new life, it cannot replace the emotional investment of the creator and the inheritance of Chinese culture.