
在“文化遗产与文艺创作”平行论坛上,约260位中外嘉宾围绕“文化遗产的创造性转化与艺术性重生”主题展开交流。嘉宾们一致认为,文化遗产需进入当代人的情感和生活才能活起来,并强调人工智能虽能赋予文化遗产新生命,但无法替代创作者的情感投入和中华文脉的传承。
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论坛围绕“文化遗产的创造性转化与艺术性重生”主题展开,探讨如何让文化遗产在当代社会中焕发新生,涉及文学、影视、文博、美术、传媒等多个领域的实践与思考。
在“文化遗产与文艺创作”平行论坛上,围绕“文化遗产的创造性转化与艺术性重生”这一主题,来自文学、影视、文博、美术、传媒等领域的约260位中外嘉宾展开交流。
嘉宾分享创作经验 让文化遗产融入日常
如何让文化遗产活起来,是当天讨论最集中的问题。多位嘉宾的答案指向同一个方向,那就是进入当代人的情感和生活。
中国作家协会副主席、四川省作家协会主席阿来在主旨演讲中回溯了自己创作长篇小说《云中记》的历程。他谈到,“我从不讳言古今中外伟大文学作品对我的精神滋养,但我更要说,是来自民间的非物质文化遗产使我的作品更具中国韵味,更有情感与精神力量。”
北京电影学院院长扈强也持相近看法。他提出,文化遗产只有进入当代人的情感和创作,才能成为活的传统。编剧潘依然结合《漫长的季节》《隐秘的角落》的创作经验谈到,人物就是故事的导游,文化遗产应当自然而然地成为人物身后的一部分,影响人物的关系、选择乃至命运,在故事里润物细无声地呈现。
英国视频博主司徒建国则从海外传播的角度表示:给外国观众介绍中国文化,不要从“这是什么”讲起,而要从“为什么有意思”讲起,最好的方式是记录普通人的真实生活,让他们看到,文化遗产已经融入了人们的日常之中。
从舞台到展厅 探索文化遗产转化新路径
中国国家话剧院院长田沁鑫以三部作品为例,阐述了舞台艺术对文化遗产的转化路径。话剧《北京法源寺》将千年古刹的影壁、牌匾、大雄宝殿内景活化到舞台,首演十年来常演常新;音乐话剧《受到召唤·敦煌》借助人工智能、3D特效、即时拍摄等技术手段复原壁画与彩塑初建时的面貌;时隔13年重排的话剧《青蛇》起用“00后”青年演员,让民间传说在年轻观众中延续生命。
中国美术馆馆长潘义奎介绍了美术馆活化文化遗产的探索。2023年以来,中国美术馆与全国20余家博物馆合作推出10场“墨韵文脉”系列展,形成“博物馆加美术馆”的展览品牌,一些文物展品在展览后甚至为地方博物馆反向“引流”。2025年9月推出的“贵在意·致敬经典”全国写意美术作品展汇集近600件古今佳作,苏东坡《潇湘竹石图》真迹与当代艺术家新作同厅陈列,参观量较上一年度同期增长逾60%。
人工智能无法代替创作者情感投入
人工智能(AI)是论坛上被反复讨论的关键词,嘉宾们的态度也颇为一致。
北京大学艺术学院院长李洋提出,人工智能赋予文化遗产的不只是数字生命,更是一种“关系生命”,让孤立的文物重新进入广阔的文化网络;人工智能不仅能复原已经发生的历史,还能展开“可能性考古”,在史料约束下呈现多种合理的解释方案。他同时提醒,人工智能时代需要建立新的“图像伦理”,每一幅生成图像都应能说清哪些部分来自原始遗存,哪些来自专家判断,哪些由算法生成。
扈强从创作教育的角度呼应了这一判断:技术越强,审美越重要,艺术教育要培养能够认识美、发现美、塑造美、传播美、传承美的人。景泰蓝技艺国家级非遗传承人钟连盛则给出了人工智能的使用边界:年轻一辈传承人已经在用人工智能辅助设计,但它代替不了创作者情感的投入和中华文脉的传承。
文/本报记者 祖薇薇
AI outlook — possibilities, not facts
人工智能将在文化遗产保护和创新中发挥更大作用,但将作为辅助工具而非替代创作者
Likely · Within years
文化遗产融入日常生活的趋势将继续加强,更多作品将通过讲述普通人故事来传承文化
Very likely · Within years

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