BackRapper Sain tunes into the universe and culture of radio, on the hip hop frequency, in the album 'Última mesa da Lapa'
Rapper Sain tunes into the universe and culture of radio, on the hip hop frequency, in the album 'Última mesa da Lapa'
BREAKING
G11 hour agoCulture1 min readBrazilView original

Rapper Sain tunes into the universe and culture of radio, on the hip hop frequency, in the album 'Última mesa da Lapa'

Quick Look

Rio rapper Sain releases today the album 'Última mesa da Lapa', with 18 tracks produced mainly by him, including appearances by BK, Leall, Luccas Carlos, Akilla, Ca$hline, DG, Jxnv$, Matchola, Murica Sujão, Peres and Rare Gnxt, as well as vignettes and interventions by Leandro Resende, MC Carol de Niterói, João Gomes, Di Melo and Kib7, simulating radio programming with styles such as boom bap, R&B, samba and MPB.

AI-generated summary

Why It Matters

Sain is a rapper from Rio and the son of Marcelo D2, following his father's musical trajectory on the album 'Última mesa da Lapa', mostly produced by himself.

Font size

Rapper Sain releases the album 'Última mesa da Lapa' today, with 18 tracks sequenced like a radio program — Photo: Josh Ellis / Disclosure

♬ Rio rapper Sain continues searching for the perfect beat, just like his father, Marcelo D2. In the album he releases tonight, Thursday, October 15th, “Última mesa da Lapa”, Sain writes the beats for 17 of the 18 tracks, having delegated only one track to the São Paulo duo Deekapz.

In the album “Última mesa da Lapa”, Sain tunes into the radio universe, sequencing the 18 tracks like a continuous radio station program, with vignettes, voices, conversations, noises and of course, songs.

Also acting as presenter of this imaginary radio, the rapper receives BK, Leall, Luccas Carlos, Akilla, Ca$hline, DG, Jxnv$, Matchola, Murica Sujão, Peres and Rare Gnxt for feats throughout the album produced by Sain himself.

Radio presenter Leandro Resende appears as announcer while MC Carol de Niterói, João Gomes, Di Melo and Kib7 appear in vignettes and interventions embedded in the album.

The frequency is hip hop, but Sain moves through boom bap, R&B, samba and MPB between songs such as “Bloco 7”, “Profecias profanas”, “Guerreiros no Jardim”, “Luz acesa”, “Abismo”, “Nothing changed”, “Febre disgradada”, “Palermo”, “Chablis e vieiras”, “Preciso”, “Balada sem nome”, “Melhorei”, “Papo nalógica”, “Gangsta”, “Full passport”, “Foul game”, “Last table in Lapa” and “Late checkout”.

Open Questions

  • What was the album's critical reception upon release?
  • Will the album have live performances or a promotional tour?
  • What was the creative process behind radio-style sequencing?

Related Topics

This article was originally published by G1.

Related Stories

More on this topicsain