
Despite harsh criticism for its rough animation style and confusing plot, Chinese animation 'Niu Lai' (The Arrival of the Ox) has surprisingly succeeded at the box office, contrasting with delayed/cancelled high-profile Chinese films.
AI-generated summary
The Chinese film industry has seen a mix of successes and challenges with domestic productions.
A raw, handcrafted Chinese animation has become an unlikely box-office sensation despite being widely panned by critics and social media users. Niu Lai, or The Arrival of the Ox, has been criticised for its “rough” and “broken” style and a plot that many viewers found hard to follow. The popularity of the two American films has already seen the release of some high-profile Chinese films – including Three Kingdoms: The Beginning, a historical drama set in the third century – being delayed or cancelled. Niu Lai’s plot, which revolves around a dream sequence involving a calf and a skylark that helps teach him about love, courage, perseverance and sacrifice, has been widely criticised as confusing. Its “unpolished” animation further riled viewers, with Beijing News describing it as “stiff and glitchy” and the voice acting as “jarring”. Jiefang Daily said it was a “noticeably crude production” and complained that the content was “overly childish”.
AI outlook — possibilities, not facts
Increased investment in experimental Chinese animations
Possible · Within months

第37屆傳藝金曲獎於台灣戲曲中心舉行,頒發特別獎予張日貴與王慶芳。李靜芳獲最佳演唱獎,葉志偉獲最佳編劇獎,鄭榮興與鍾繼儀獲最佳音樂設計獎。本屆報名件數達780件,創下佳績。

由34岁景观设计师信雨萌与其母亲制作的低成本动画电影《牛来》,因粗糙的视觉效果和独特的风格在中国意外走红,上映以来票房已突破2000万元人民币。
第四届“全民美育”全国青少年艺术普及舞蹈成果展演于20日晚在内蒙古呼和浩特启幕。活动汇聚中国舞、现代舞等四大舞种,15件精品佳作登上线下主舞台,同步开展美育交流与非遗体验。

日本黑色幽默動畫《尼古喵喵》因劇中出現吸菸及疑似藥物使用畫面,在港台遭檢舉下架。日本BPO機構則認為該作於深夜播出,且屬於創作與表現自由範疇,未對青少年構成過度影響,引發網路正反兩極討論。
聊城市山东梆子剧院创排的现代戏《孔繁森》亮相第七届全国少数民族文艺会演。该剧通过六幕戏还原了孔繁森两度援藏的生平,重点刻画其作为普通人的情感与抉择,展现其“泰山骨、高原汉”的精神形象。

第二屆「2026潮臺北」將於9月4日至13日在臺北流行音樂中心舉辦「潮臺北 × 潮首爾」展覽。由BLACKPINK御用策展團隊YOUJAM STUDIO操刀,首度海外展出,拆解世界級演唱會的舞台技術與設計細節,探討AI時代下「現場感」的不可替代性。