
After three years of closure for renovation work financed by NextGenerationEU, the Teatro Nacional Dona Maria II in Lisbon reopens on 18 September with three days of celebrations, guided tours, exhibitions and the inaugural show Shakespeare's Macbeth, directed by Pedro Penim and starring José Raposo and Bárbara Branco.
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The Teatro Nacional Dona Maria II was closed for three years due to renovation work financed by NextGenerationEU funds. During this period he decentralized his production to other theaters. The theater has a history of 180 years and had already suffered a fire in 1964 during a performance of Macbeth, after which it only reopened in 1978.
After being closed for three years due to renovation work financed by NextGenerationEU funds, the Teatro Nacional Dona Maria II (Tndm II), the city's main drama theater and one of the most important in Portugal, will reopen in Lisbon on 18 September.
In the last three years the theater has decentralized its production to other rooms, but for the return to the historic location of the central Rossio square three days of celebrations are planned, during which it will be possible to take guided tours to explore the renovated spaces of the building also through specific exhibitions: one dedicated to its 180 years of existence and the other dedicated precisely to its restoration, which cost around 15 million euros and was carried out thanks to the National Recovery and Resilience Plan.
At the center of the reopening celebrations there will naturally be a theater show. The director and artistic director of Tndm II, Pedro Penim, has chosen William Shakespeare's Macbeth, which will be on stage from 18 September to 31 October, performed by a cast led by the couple José Raposo and Bárbara Branco. The choice of Macbeth, for Penim, in addition to the intrinsic value of the work, also represents a "challenge to destiny" and a fusion of "past and future, in what will be the inaugural act of a building that takes up its own history". The black legend that surrounds this drama by Shakespeare, in fact, also struck Lisbon in that very theatre. Macbeth itself was on stage on the fateful night of 2 December 1964, when the Tndm II was destroyed by a violent fire, after which only in 1978 was the building able to reopen its doors to the public. Since then Macbeth has never been staged again.

The Cappellone di Tolentino, a fourteenth-century fresco attributed to the Giotto-Rimini school and led by Pietro da Rimini, was reopened to the public on 10 September after a restoration project financed with funds from the 2016 post-earthquake reconstruction. The work, defined as 'the Sistine Chapel of the Marche of the fourteenth century' by Bishop Marconi, became accessible again after a decade of inaccessibility following the 2016 earthquake which damaged the basilica. The reopening took place on the occasion of the feast of Saint Nicholas, with the participation of regional, municipal and religious authorities.

Francesco Guccini's will has been published, dating back to 2022. His second wife Raffaella Zuccari is the universal heir of the properties in Bologna and Pavana, while his daughter Teresa receives the copyright, company shares and personal assets.

The documentary 'La Nobile Arte', dedicated to the history of Italian boxing, was presented at the Biennale Match Point Arena on the Lido of Venice as part of the Venice Production Bridge of the 83rd Venice Film Festival. Directed by Vincenzo Lamagna and born from an idea by Michela Pellegrini and Stefano Buttafuoco, the film explores one hundred and ten years of boxing through ten rounds, connecting sport to society and culture. Stefano Buttafuoco, narrator, underlined the emotional and symbolic value of boxing.

The 12th edition of the Semana del Cine Italiano, an event dedicated to the promotion of contemporary Italian cinema in Argentina, was inaugurated on Thursday in Buenos Aires, at Cinépolis Recoleta. The event, organized by the Italian Cultural Institute of Buenos Aires in collaboration with Cinecittà, the Italian Ministry of Culture, the Italian Embassy, ICE and Cinépolis Recoleta, takes place from 3 to 9 September and involves eight cities in Latin and Central America. Ambassador Fabrizio Nicoletti and Cristina Cassano of Cinecittà spoke at the opening, followed by a screening of 'Life Goes Like This' by Riccardo Milani, present for a meeting with the public.

The 12th edition of the Italian Cinema Week began on Thursday in Buenos Aires with the screening of the film 'Life goes like this' by Riccardo Milani at the Cinépolis Recoleta room. The event, organized with Cinecittà, the Italian Ministry of Culture, the Italian Embassy and ICE, saw the participation of Ambassador Nicoletti, the director of the Raponi Cultural Institute and the directors Milani, Pif and Gelormini. Nicoletti underlined the lively cultural dialogue between Italy and Argentina, while Milani explained that he used the tone of comedy to address dramatic themes inspired by the Italian tradition of the 50s and 60s. The programming also includes award-winning films such as 'The Cities of the Plain', 'Spring' and 'The Forbidden City'.

The Ministry of Culture has launched the call for the Olivetti Prize for cultural accessibility, open until 15 September, with the aim of combating the 'cultural drought' and promoting access to culture as a right of citizenship, financing projects in museums, cultural activities, corporate welfare and management innovation in places of culture.