AI-generated summary
Taigu cake is a representative item of national intangible cultural heritage with a century-old history. However, traditional hand-made production capacity is low, the market is restricted, and products lack innovation, so it faces difficulties in inheriting it.
China News Service, Taiyuan, September 10th. Title: Shou Yi also conveys the heart: the "handheld" intangible cultural heritage path of the fifth generation descendant of the century-old Taigu Cake
Author Yang Jing Li Jinyang
"I am a child who grew up smelling the aroma of cakes." In the memory of Li Junwei, the fifth-generation representative inheritor of Taigu cake-making skills, a representative project of national intangible cultural heritage, the deepest imprints of his childhood are the warm sweet smell in the yard, the rustle of the master's kneading dough, and the dancing firelight in the furnace.
On the 9th, Li Junwei, the fifth-generation representative inheritor of the Taigu Cake making technique, a representative national intangible cultural heritage project, shared his inheritance story. Photo by Wu Xiaoqing
When this heavy century-old sign was passed into his hands, Li Junwei admitted frankly that he faced many practical problems: "With traditional handwork, you can't make many cakes in a day; if you stay in Taigu, the fragrance of the cakes cannot spread to the land of Sanjin; and the products will not be new for decades." In order to prevent the time-honored sign from gradually fading in the tide of the times, he chose to quit his job, return to his hometown to start a business, and take over this responsibility.
Faced with the dilemma, Li Junwei led the team to build a standardized intelligent production workshop, using modern technology to stabilize quality and expand production capacity. At the same time, he did not rest on his laurels, but led the R&D team to launch specialty pastries such as low-sugar sugar-alcohol five-black cakes and sea-buckthorn sandwich cakes representing Shanxi flavor.
"The ancient techniques have achieved large-scale production, and the century-old taste has entered thousands of households." Li Junwei said.
Sales were opened, but with them new confusions emerged. At first, in order to expand the market, Li Junwei tried to cooperate with Internet experts to promote Taigu cakes. But he discovered a practical problem: "Even if the expert is very careful, it is difficult to fully explain the origin of Taigu Pancake, the intangible cultural heritage production process, and the story of the integrity of Shanxi merchants who 'use justice to make profits' behind it."
"Isn't the most suitable person to talk about intangible cultural heritage the inheritor himself?" After thinking about this, Li Junwei decided to "step in front of the camera himself" and boldly tried to shoot a short video.
In order to better present the intangible cultural heritage skills in front of the camera, he devoted himself to cultivating this traditional skill. "The entire ingredients are strictly based on the traditional formula of 'three oils and four sugars', and the entire production process strictly follows the traditional process. From 'kneading, sticking sesame seeds, hot noodles, turning over, and baking over high and low heat,' every process is meticulous and must be described to the fans." Li Junwei said: "Making the video also forced me to learn and understand this skill more systematically and in-depth."
In this way, Li Junwei spent five years and shot more than 20,000 videos, using a real perspective to let more people understand Taigu Pancake and Shanxi Intangible Cultural Heritage.
The short video not only brought Taigu cakes out of the circle, but also made Li Junwei unexpectedly become the teller of Taigu’s humanistic stories.
"We have a coach named Gangzi in Taigu who has been working silently for thirty years, regardless of remuneration, providing free physical training for local children and protecting the growth of young people." After hearing this story, Li Junwei was deeply touched: "I want to use my own communication method to pass on this spirit to more fans."
After the video co-produced by Li Junwei and Coach Gangzi was released, it received a large number of likes, comments and reposts from netizens. This incident gave Li Junwei a deeper understanding of the word "inheriter": "As an inheritor and also an online communicator, I not only let fans see the intangible cultural heritage skills, but also use the power of the Internet to tell the humanistic stories of Taigu well so that more people can understand my hometown."
From the production workshop to the mobile phone screen, from art preservation to heart-to-heart communication, Li Junwei used more than 20,000 short videos to create a new path for intangible cultural heritage. In his hands, Taigu cake is no longer just a piece of pastry, but has become a taste carrier that combines skills and humanity, taking on new vitality in the digital age. (over)
AI outlook — possibilities, not facts
Li Junwei will continue to promote Taigu cakes and other Shanxi intangible cultural heritage items through short video platforms
Likely · Within months
The online sales channels of Taigu Cake will be further expanded, driving the development of related local industries.
Possible · Within months

Due to operating difficulties, the operator of the Taiwan Confucianism Examination Shed, a designated historic site in the West District of Taichung City, applied for early termination of the contract to withdraw. Local councilor Huang Shouda criticized the Lu Xiuyan city government for long-term responsibilities for the revitalization and maintenance of cultural assets to outsourced teams, ignoring venue space restrictions, resulting in basic operational difficulties. The Cultural Resources Office stated that it will promote participation early next year and introduce new teams for activation. It also pointed out that the surrounding Taichung State Office and Datun County Hall will reopen for operation and can be connected to form a cultural base.

The National Working Conference on the Construction of Areas for the Protection and Utilization of Revolutionary Cultural Relics was held in Ganzhou, Jiangxi on the 10th. Up to now, there are 37 areas for the protection and utilization of revolutionary cultural relics in my country, covering 268 cities and 1,433 counties (cities, districts) in 31 provinces (autonomous regions and municipalities). A total of more than 3,000 projects for the protection and display of revolutionary cultural relics have been implemented across the country, and major dangers to revolutionary cultural relics have been basically eliminated. Many provinces have made new progress and new achievements in the protection of revolutionary cultural relics: Shaanxi Yan'an and Hubei Hong'an National Cultural Relics Protection and Utilization Demonstration Zones have been deeply established; the contiguous protection projects of the former Central Soviet Area and the Xiangjiang Battle Site in southern Jiangxi have broken the situation; Jilin Hongshi Archaeological excavations of the Lazi anti-Japanese base site and full survey of the Long March historical trail in Jiajin Mountain in Sichuan have yielded important results; Hunan has newly discovered a group of old sites where the Central Red Army's Long March passed through the Lanshan Mountains; Henan and Shaanxi piloted the comprehensive protection of revolutionary cultural relics in cities and counties. my country's revolutionary cultural relics display system has basically taken shape: there are 1,300 themed memorial halls in various districts across the country, more than 2,000 themed exhibitions have been held, and 500 million visitors have visited the district's old sites and memorial venues. Jiangxi's Jinggangshan Revolutionary Site and other old site groups display integrity and innovation as a whole; the Red Army's Long March Xiangjiang Campaign Memorial Hall and other venues were completed and opened to the public. Revolutionary cultural relics are displayed across domains, and red stories are deeply rooted in the hearts of the people.

Wang Yunbin, a numerology teacher in Taichung City, pointed out that on July 29 of the lunar calendar, on the day when the ghost gate passes, if you have performed the Zhongyuan Purdue before, you do not need to worship again. When worshiping, you should distinguish the Buddha and the good brothers at the table, and avoid late-night rituals, exchanges, retaining, or setting off firecrackers. He emphasized that you should send off quietly and confirm that the incense and gold paper are extinguished before collecting the offerings.

Recently, many incidents of children discovering errors on display boards in museums have attracted attention. The article points out that audiences, especially teenagers, are no longer satisfied with passive visits, but actively participate with knowledge reserves and problem awareness, which reflects the audience's expectations and trust in cultural institutions. The article emphasizes that although audience error correction is a positive interaction, museums cannot outsource content review responsibilities because of this. Behind the mistakes are often systemic problems caused by lax control of details and lagging content updates. The State Administration of Cultural Heritage has clarified that museums have the main responsibility for content review and cannot be delegated or transferred. The article calls on museums to first check professional content, and then incorporate audience feedback into a closed loop of correction-review-optimization, in order to capture public enthusiasm and maintain the professionalism and authority of the exhibition.

The Cultural Assets Bureau of the Ministry of Culture announced that the trial measure of prohibiting vehicles with more than four wheels at the west gate of Hengchun Ancient City will not be renewed after its expiration at the end of July. Physical road obstructions will be removed and replaced with strengthened warnings. At the same time, it is planned to relocate restricted elevated facilities to the north gate where there are fewer residents. It is expected to be launched by the end of the year.
The 2026 Beijing Animation Week is scheduled to be held from September 24th to 27th, continuing the theme of "Animation + More Wonderful Together", with "Beijing AI Animation" as the annual core, covering rich activities such as forums, venture capital roadshows, and city-wide animation maps.