
The actress presents Andrea Pallaoro's'The Echo Chamber' and denounces the professional repercussions in the United States due to her political activism.
Susan Sarandon, guest at the Venice Film Festival for the film 'The Echo Chamber', denounces having been marginalized by the US film industry due to her critical positions on Israeli politics and the war in Gaza.
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Susan Sarandon has expressed critical views on the war in Gaza and Israeli politics, which have sparked controversy in the United States and influenced her professional career.
Susan Sarandon returns to the Lido at the Venice Film Festival with The Echo Chamber, the new film by Andrea Pallaoro based on an unpublished story by Bernardo Bertolucci, but the consequences of her political activism dominate the meeting with the press.
The actress says she has been progressively marginalized by the American industry for her positions on the war in Gaza and Israeli politics: "There are still films that aren't offered to me, with agencies telling directors not to give me a role."
However, Sarandon maintains that something is changing in the United States: according to her, public awareness of American economic and military support for Israel is growing, even if the professional repercussions remain concrete.
If Hollywood has closed many doors to her, Sarandon says she instead feels welcomed by international cinema. The Echo Chamber itself represents a new European chapter for her, thanks to the trust of director Andrea Pallaoro and producer Daniele Orazi.
“This doesn't just concern me, but also other actors excluded for their ideas”, underlines the interpreter, reiterating that he does not regret the choice to expose himself publicly. For Sarandon, cinema remains a space of freedom and civil responsibility: a place capable of questioning the status quo even when the personal cost is very high.

The sixth day of the Venice Film Festival presents new films in competition, including works by Koreeda and Strippoli. The event hosts the arrival of the Global Sumud Flotilla and Susan Sarandon's reflections on political cinema and current events.

Lee Chang-dong's film Possible Love tells the story of two couples whose lives become intertwined following the 2009 mass layoffs at SsangYong Motor Company, exploring themes of work, capital and freedom.

Greta Scarano, host of the opening night of the Venice Film Festival, showed up on the red carpet with a red mark on her face traced with lipstick to express solidarity with the victims of gender violence, inspired by the appeal of the father of Lorena, a young woman killed by her ex-boyfriend.

Presented at the 83rd Venice Film Festival, 'The Echo Chamber' by Andrea Pallaoro is a mystery film based on Bernardo Bertolucci's latest screenplay, which investigates pain and addiction through the intertwined lives of three protagonists.

Daniele Silvestri talks about the influence of Domenico Modugno on his artistic path, the modernity of his music, the 'Canzoni a drario' project as an act of resistance against the discographic logic, the social meaning of 'Sana e Robusta Constitution', the human value of music beyond algorithms, the relationship with his father through the song 'L'Uomo Intero', the theme of regret in 'L'Ultimo Bicchiere', and his projects future, including the closing of the tour at the Suoni delle Dolomiti on October 3rd.

The fifth day of the 83rd Venice Film Festival features the films in competition by Andrea Pallaoro, Lee Chang-dong and May el-Toukhy. The Cortinametraggio 2027 program and Wim Wenders' documentary were also presented.