
新北市青年局舉辦公益藝術展「無限感應—每一種感知,都值得被理解」,於新北青創板橋藝術基地免費展出至9月30日,由策展人ALLO黃紹綸策劃,展出26件藝術作品,結合街頭塗鴉與互動體驗,旨在促進民眾對神經多樣性的理解與包容,並與特教學生合作展出其作品。
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新北市青年局舉辦公益藝術展「無限感應—每一種感知,都值得被理解」,旨在透過街頭塗鴉與互動體驗促進民眾對神經多樣性的理解與包容,並與特教學生合作展出其作品。
新北市青年局舉辦「無限感應—每一種感知,都值得被理解」公益藝術展。(圖由新北市青年局提供)
新北市青年局舉辦「無限感應—每一種感知,都值得被理解」公益藝術展,目前於新北青創板橋藝術基地免費展出至9月30日,由在地藝術家黃紹綸策劃,精選26件藝術作品,融合街頭塗鴉與互動體驗,邀請民眾藉由藝術認識「神經多樣性」及不同的大腦運作方式,讓藝術成為促進理解與包容的橋梁。
青年局指出,策展人ALLO黃紹綸曾獲2024墨路行者塗鴉國際大賽冠軍,近期更赴紐約參與「Taiwan POP台灣上奅——曼哈頓台灣文化黑潮」計畫,於布希維克(Bushwick)街區完成大型壁畫創作。他此次以年輕、當代的藝術語言重新詮釋「神經多樣性」,並結合由樹林、丹鳳、光復、泰山高中等校共同主辦「第五屆墨賞盃」特教學生作品,讓特殊生的藝術創作有更多與社會對話的機會。
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青年局副局長林麗珠表示,此次展覽與「中華民國自閉症總會」及專為特教生舉辦的多元才藝競賽「墨賞盃」合作,盼透過藝術讓更多人認識不同的生命經驗和感知方式。此次展覽以年輕世代熟悉的街頭塗鴉出發,透過活潑的藝術語言轉譯社會議題、降低理解門檻,讓藝術成為促進理解與包容的橋梁,相關活動資訊可至青年局官網查詢。
策展人ALLO黃紹綸,以年輕、當代的藝術語言詮釋「神經多樣性」。(圖由新北市青年局提供)
「無限感應—每一種感知,都值得被理解」公益藝術展於新北青創板橋藝術基地展出。(圖由新北市青年局提供)
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The third Xinjiang National Reading Conference opened in Hotan on September 5, with the theme of ‘Learning and Implementing the Regulations and Deepening National Reading’. The event was hosted by the Propaganda Department of the Party Committee of the Xinjiang Uygur Autonomous Region and hosted by the Propaganda Department of Hotan Prefectural Committee, China Press and Publication Media Group Co., Ltd. and other units. It focused on deepening the construction of scholarly Xinjiang and promoting cultural enrichment of Xinjiang. The opening ceremony included book donation, the release of the 2025 ‘Xinjiang Excellent Books’ and ‘Xinjiang Excellent Bestsellers’ lists, the appointment ceremony of the ‘Xinjiang National Reading Promoter’, and 8 guests delivered keynote speeches. Wu Shulin, chairman of the China Publishing Association, and Zhang Kuncan, secretary of the Hotan Municipal Party Committee, delivered speeches respectively, emphasizing the important role of reading in forging a strong sense of the Chinese nation's community and promoting cultural enrichment. During the conference, a number of activities such as the ‘Tianshan Book Market’ to benefit the people and reading night themed performances will also be held.
The "Han Xizai Night Banquet" volume (a copy of the Song Dynasty) collected by the Palace Museum was exhibited at the Zhejiang Provincial Museum in Hangzhou for the first time in 15 years, and the exhibition period was only 30 days. Since the opening of the exhibition, the enthusiasm of the audience has been high. Zhejiang Expo has specially added a late-night special session on Saturdays, extending the opening hours to 6 a.m. the next day, and implementing all-night operations. Many visitors from Macau, Chongqing and other places made a special trip, saying that viewing at night was closer to the atmosphere of the paintings and the experience was novel.

The fourth "Good Picture Book Award" is open for applications from September 14 to October 11. There is no limit to the theme. It provides scholarship resources of up to NT$900,000 and supports Taiwanese picture book creators through mechanisms such as guaranteed matchmaking and creative consultation. In previous years, it has supported the publication of 27 works, many of which have been recognized by domestic and foreign awards and have expanded to overseas markets.
To commemorate the 110th anniversary of Jia Zhifang's birth, the Shanghai Museum of Social Sciences held an exhibition, displaying nearly a hundred of his manuscripts, letters, old photos and other physical objects. Many cultural figures attended and delivered speeches, speaking highly of his literary, translation and academic contributions. His daughter Jia Ying said that the exhibition is the inheritance of her father's spiritual legacy.

The Japanese translation of Taiwanese writer He Zhihe's novel "Flower Street Tree House" was published by Nippon Shogakukan. The Taiwan Cultural Center of the Ministry of Culture in Japan invited He Zhihe to have a conversation with Japanese literary critic Saburo Kawamoto on the topic of "Wandering through an unseen Taipei" to share creative inspiration, Wanhua's growth experience, and the themes of memory and urban change.

Wang Pengrui, a professor at the Inner Mongolia Art Institute, has a new book, "Ode to One Heart," which combs through the works on the theme of ethnic unity in Inner Mongolia art over the past 80 years, emphasizing that art should originate from real life, and that real scenes of all ethnic groups living together are the source of continuous creation.