故宫博物院藏《韩熙载夜宴图》卷(宋摹本)时隔15年在杭州浙江省博物馆展出,展期仅30天。展览开启以来观众热情高涨,浙博特别在周六增设深夜专场,将开放时间延长至次日清晨6点,实行通宵运营。不少来自澳门、重庆等地的观众专程前往,表示夜间观赏更贴近画作氛围,体验新奇。
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《韩熙载夜宴图》是中国十大传世名画之一,系故宫博物院藏品。自2011年在故宫博物院展出后,时隔15年方在杭州浙江省博物馆与公众见面,本次展览名为《太平年·天下同宁》,展期仅30天。
中新社杭州9月6日电 (曹丹)“我是从澳门飞上海,再来杭州的,晚上看‘夜宴’(图)特别有氛围。”9月6日凌晨,在浙江省博物馆(下称“浙博”)之江馆的展厅内,来自澳门的观众余澍森说。
他所说的“夜宴图”,是故宫博物院藏《韩熙载夜宴图》卷(宋摹本)。这幅画系中国十大传世名画之一,自2011年在故宫博物院展出后,时隔15年在杭州与公众见面,本次展期仅30天。
“太平年·天下同宁”展8月22日开展,首日清晨7点便已有观众排起长队等候观展。打开浙博预约系统,可预约日期均显示“已约满”。
面对火爆观展热潮,浙博特别在每周六增设深夜专场,将开放时间延长至次日清晨6点。博物馆实行通宵运营,在中国实属罕见。
9月6日凌晨,观众在浙江省博物馆欣赏《韩熙载夜宴图》卷(宋摹本)。曹丹 摄
深夜场受到观众欢迎。不少观众提到,“夜宴图”在夜晚看更贴近画中氛围。
这是余澍森第一次来杭州,周五结束工作后便搭乘航班赶来,周日即将返回澳门。
作为资深文博爱好者,余澍森经常利用周末时间飞往各地看展。今年,他已在台北故宫博物院观看了颜真卿《祭侄文稿》、孙过庭《书谱》等多件书画作品。
“第一次凌晨排队看展,感觉挺新奇的。”余澍森说。
专程飞赴杭州观展的重庆观众邹以欣认为,为一幅名画奔赴一座城“值得”,两小时航程十分方便。
邹以欣预订了浙博周边酒店,计划周日上午再继续参观馆内其他展厅。(完)
The third Xinjiang National Reading Conference opened in Hotan on September 5, with the theme of ‘Learning and Implementing the Regulations and Deepening National Reading’. The event was hosted by the Propaganda Department of the Party Committee of the Xinjiang Uygur Autonomous Region and hosted by the Propaganda Department of Hotan Prefectural Committee, China Press and Publication Media Group Co., Ltd. and other units. It focused on deepening the construction of scholarly Xinjiang and promoting cultural enrichment of Xinjiang. The opening ceremony included book donation, the release of the 2025 ‘Xinjiang Excellent Books’ and ‘Xinjiang Excellent Bestsellers’ lists, the appointment ceremony of the ‘Xinjiang National Reading Promoter’, and 8 guests delivered keynote speeches. Wu Shulin, chairman of the China Publishing Association, and Zhang Kuncan, secretary of the Hotan Municipal Party Committee, delivered speeches respectively, emphasizing the important role of reading in forging a strong sense of the Chinese nation's community and promoting cultural enrichment. During the conference, a number of activities such as the ‘Tianshan Book Market’ to benefit the people and reading night themed performances will also be held.

The fourth "Good Picture Book Award" is open for applications from September 14 to October 11. There is no limit to the theme. It provides scholarship resources of up to NT$900,000 and supports Taiwanese picture book creators through mechanisms such as guaranteed matchmaking and creative consultation. In previous years, it has supported the publication of 27 works, many of which have been recognized by domestic and foreign awards and have expanded to overseas markets.

The New Taipei City Youth Bureau held a public welfare art exhibition "Infinite Sensing - Every Perception Is Worth Being Understood". It will be on display for free until September 30 at the New Taipei Youth Creative Banqiao Art Base. Curated by curator ALLO Huang Shaolun, 26 art works will be on display, combining street graffiti and interactive experiences, aiming to promote the public's understanding and tolerance of neurodiversity, and will collaborate with special education students to exhibit their works.
To commemorate the 110th anniversary of Jia Zhifang's birth, the Shanghai Museum of Social Sciences held an exhibition, displaying nearly a hundred of his manuscripts, letters, old photos and other physical objects. Many cultural figures attended and delivered speeches, speaking highly of his literary, translation and academic contributions. His daughter Jia Ying said that the exhibition is the inheritance of her father's spiritual legacy.

The Japanese translation of Taiwanese writer He Zhihe's novel "Flower Street Tree House" was published by Nippon Shogakukan. The Taiwan Cultural Center of the Ministry of Culture in Japan invited He Zhihe to have a conversation with Japanese literary critic Saburo Kawamoto on the topic of "Wandering through an unseen Taipei" to share creative inspiration, Wanhua's growth experience, and the themes of memory and urban change.

Wang Pengrui, a professor at the Inner Mongolia Art Institute, has a new book, "Ode to One Heart," which combs through the works on the theme of ethnic unity in Inner Mongolia art over the past 80 years, emphasizing that art should originate from real life, and that real scenes of all ethnic groups living together are the source of continuous creation.