辽宁—比利时当代艺术交流展于9月20日至10月8日在鲁迅美术学院美术博物馆举办,展览汇集比利时、意大利及中国艺术家13位,展出95套作品,以艺术为媒介促进中欧文化交流,作为第七届辽洽会配套活动,旨在以文化赋能经贸合作。
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展览依托中比建交55周年重要契机举办,作为第七届辽洽会的配套活动,旨在以文化艺术为纽带增进辽宁与比利时等欧洲国家的人文交流与相互了解。
中新网沈阳9月25日电 (记者 韩宏)辽宁一比利时当代艺术交流展于9月20日至10月8日在鲁迅美术学院美术博物馆举办。
辽宁—比利时当代艺术交流展依托中比建交55周年重要契机,以当代艺术为纽带,集中展示来自比利时、意大利及中国艺术家的优秀作品,充分发挥文化艺术在国际交流中的桥梁和纽带作用,进一步增进辽宁与比利时等欧洲国家之间的人文交流与相互了解,为深化经贸往来、拓展开放合作、提升国际影响力注入文化动能。
9月20日至10月8日,辽宁一比利时当代艺术交流展在鲁迅美术学院美术博物馆举办。曲良臣 摄
本次展览汇集比利时、意大利及中国艺术家共13位,展出95套艺术作品。展览通过欧洲当代艺术群展、国际艺术家个人展览、东西方艺术家双个展三大板块,呈现不同文化背景下艺术家的创作实践与当代艺术面貌,为观众提供多元的国际艺术视野。
据介绍,展览以艺术为媒介,关注不同文化之间的交流、理解与互动。来自欧洲和中国的艺术家通过绘画及多种艺术形式展开跨文化对话,在不同艺术语言的碰撞与融合中,呈现多元文化背景下的共同经验与个体表达,进一步促进中欧艺术领域的交流与合作。
辽宁—比利时当代艺术交流展作为第七届辽洽会的配套活动,以艺术搭建人文交流平台,以文化赋能经贸合作。通过文化艺术与国际经贸交流的联动,进一步拓展辽宁与比利时及欧洲国家之间多层次、多领域的合作空间,为辽宁扩大高水平对外开放、深化国际交流合作夯实人文基础。(完)

A memory that had been lost for decades reappeared in Yunlin Tuku. Young team members dressed in Japanese costumes lifted up the Japanese mikoshi and performed, recreating the scene of the Japanese mikoshi on the streets of Tuku. At the same time, the special exhibition "Tuku Shrine, Shrine, Mountain and River" was unveiled. The curator hopes to retrieve the gradually forgotten stories and memories of Tuku through this event, and to allow different young people to participate. In the future, it plans to cultivate new forces through school clubs. The mayor said that local stories need someone to remember and be willing to take over.

Hu Junchao, the social education specialist of Liangzhu Ancient City Heritage Park, explained the 5,000-year history of Liangzhu, connecting tourists of all ethnic groups with the common memory of Chinese civilization; the Liangzhu Heritage Management Committee used short videos, overseas exhibitions and ethnic unity practices to allow the cultural memory of the ancient city to be inherited and developed in the contemporary era.

The 4th Beijing International Canal Art Week opened on September 24. Activities include theatrical performances, theme markets and flash mobs in multiple places, linking 13 canals around the world including the Dortmund-Ems Canal in Germany and the Danube-Black Sea Canal in Romania. The art week is sponsored by the Beijing Municipal Bureau of Culture and Tourism and will last until September 27. During the period, 22 Chinese and foreign cultural performances will be staged, 10 Grand Canal cultural themed tourism routes will be launched, and a "Canal × Mid-Autumn Festival" themed market will be set up to invite tourists to experience new cultural tourism experiences along the canal.
Through the historical evolution and regional changes of mooncakes, the article elaborates on its role as a symbol of the integration of the Chinese nation. It points out that the development of mooncakes from the Silk Road to the Ming and Qing Dynasties integrated ingredients and techniques from various ethnic groups, and eventually became a cultural symbol of Mid-Autumn Festival reunion, embodying the sense of community of the Chinese nation.

To commemorate the 30th anniversary of the direct election of the President, the Cultural Federation has launched 11 commemorative badges with the theme of Taiwan’s democratic events. They will be sold randomly in the form of gashapon. They will be available at NO.1, the south space of Wenzong City, from October 2. Each piece is 150 yuan, and only 50 yuan coins are accepted. During the National Day, they can also be purchased at the Kaidowen General Booth.

The "Xingcun Cultural Landscape Park" in Gangshan, Kaohsiung, will officially reopen on October 3 after four years of restoration. The park was once the filming location for the Taiwanese drama "A Handful of Green" and carries the memories of many air force pilots. On the first day of the park's opening, senior media person Wang Weizhong will be invited to create an exclusive drama "The Village Awakening Turns Out to Be Jiang", and a "Cun Village Calling Order" will be issued to invite the original residents to return to their hometowns for a visit. Director of Culture Wang Wencui pointed out that the purpose of restoring and retaining the Japanese colonial arch, post-war additions and vegetation symbiosis is to present the memory of people and the land.