
2026 Beijing Cultural Forum focuses on cultural heritage protection and mutual learning among civilizations
The 2026 Beijing Cultural Forum was held in Beijing, focusing on "Mutual Learning between Cultural Heritage and Civilizations." The forum discussed Beijing's practical experience in the systematic protection of cultural heritage, activation of heritage value through literary and artistic creation, and youth participation in protection and inheritance, aiming to contribute Eastern wisdom to global cultural heritage protection.
AI-generated summary
As a city with a history of more than 3,000 years, Beijing has established a systematic protection pattern for the whole region in recent years through the application of the central axis as a cultural heritage and the construction of three major cultural belts. The forum aims to summarize these practical experiences and discuss future development paths.
China News Service, Beijing, September 22. Title: "Systemic protection" paves a new path for cultural heritage inheritance
China News Service reporters Zhou Zhaojun, Lu Shaowei and Xu Jing
In September of the golden autumn, the cultural context of the ancient capital Beijing is stirring, and the 2026 Beijing Cultural Forum has arrived as scheduled. With the permanent theme of "Inheritance·Innovation·Mutual Learning" and the annual theme of "Cultural Heritage and Mutual Learning of Civilizations", the forum brought together about 600 Chinese and foreign guests to discuss plans for the protection and inheritance of cultural heritage and to draw a new scene for exchanges and mutual learning among civilizations. This is not only a cultural event that attracts global attention, but also an in-depth dialogue between ancient civilization and the modern world, and a collision between Eastern wisdom and global vision.
Cultural heritage protection is never an isolated "cultural relic rescue", but a systematic project embedded in the overall urban development. As a world-famous historical and cultural city with a history of more than 3,000 years as a city and more than 870 years as a capital, Beijing is the core place of Chinese civilization. This forum takes "systematic protection of cultural heritage" as the core topic, which is a summary and sublimation of Beijing's years of cultural heritage protection and inheritance practice.
Driven by the successful application of Beijing's central axis as a World Cultural Heritage, the "Beijing Central Axis World Cultural Heritage Protection Regulations" set a rigid rule of law for the protection of the 7.8-kilometer "backbone of the ancient capital"; the construction of the three major cultural belts of the Great Wall, the Grand Canal, and the Yongding River in Xishan has been advanced in depth, and key projects such as the archaeology of the Liuli River site and the repair of the Yongding Gate Tower have been successively implemented. Beijing has established a comprehensive and systematic protection pattern of "points, lines, and planes" coordinated linkage.
How to balance the urbanization process and the protection of old cities is a common question faced by global urban development. Looking east, over the years, Beijing has abandoned the extensive renovation logic of large-scale demolition and large-scale construction, and has promoted micro-renovation and micro-improvement using hutongs and courtyards as units: Yuer Hutong, Caochang Sitiao Hutong and other historical blocks have retained their traditional texture while updating modern life. Living facilities have allowed old residents to retain their homesickness and live a livable life; Shichahai and the Bell and Drum Tower areas have continued to promote business renovation and style control, so that historical districts are no longer "commercial specimens" but a living community with both fireworks and culture. This concept of "seeing people, seeing things, seeing life" is the deep-seated essence of systematic protection - cultural heritage has never been a "stumbling block" to urbanization, but the cultural foundation for urban development and the spiritual background of citizens' lives.
If systematic protection preserves the "body" of cultural heritage, then literary and artistic creation awakens the "soul" of cultural heritage. This forum focuses on the topic of "Cultural Heritage and Literary and Artistic Creation", sending a clear signal - cultural heritage is the "rich mine" for literary and artistic creation, and excellent literary and artistic creation can in turn activate the contemporary value of cultural heritage, allowing dormant cultural relics and ancient techniques to truly "live" in the spiritual world of the public.
The future of cultural heritage ultimately lies in the hands of young people. Today, the creativity of young people is being unleashed infinitely through new technologies such as artificial intelligence (AI). At this forum, young people are no longer "spectators" of cultural heritage, but the "main force" deeply involved in the entire chain of protection, research, and dissemination. They are using cutting-edge technology as a pen to write a new chapter for the protection and inheritance of cultural heritage.
On the front line of conservation research, young research teams use multidisciplinary applications to greatly improve the quality and efficiency of cultural relic restoration and other work; in the Badaling Great Wall digital conservation project, young engineers established digital archives for the city wall and relied on sensors and AI algorithms to monitor risks such as weathering and subsidence in real time, giving the ancient Great Wall a "digital health steward."
On the communication and transformation side, young creators use new technologies to reconstruct the way the public “encounters” cultural heritage. On social platforms, young cultural bloggers and archeology students use videos to record cultural heritage protection sites and restore traditional craft processes, driving youth cultural crazes such as Citywalk and museum check-ins, and achieving "circle-breaking" communication overseas.
From systematic protection to solve the development problems of urbanization and old city protection, to literary and artistic creation to realize the contemporary translation of the spiritual core of cultural heritage, to young people working with new technologies to open up revitalized inheritance and transmission paths, the 2026 Beijing Cultural Forum shows a three-dimensional, complete, and future-oriented cultural heritage protection and inheritance system. It confirms that cultural heritage is not a static "past tense", but a dynamic "present continuous tense" and a "future tense" containing infinite possibilities; the protection and inheritance is not a lonely struggle of a few people, but a cultural process in which the whole society participates.
Protect roots with systems, build consensus with creations, and inspire vitality with youth. Standing at a new historical node, Beijing is using cultural heritage as a link to connect the past, present and future, and also to connect China and the world. This "Beijing experience" accumulated in practice will not only help the ancient capital's cultural heritage be passed down from generation to generation, but also contribute Eastern wisdom to global cultural heritage protection and mutual learning among civilizations.
To commemorate the 140th anniversary of the birth of Comrade Dong Biwu and the 90th anniversary of the victory of the Long March, the Jilin Provincial Touring Exhibition of Dong Biwu's Handwritings, "The Beginning Is Simple, the Ending Is Big", co-sponsored by the Propaganda Department of the Jilin Provincial Party Committee and the Jilin Provincial Department of Culture and Tourism, was launched at the Jilin Provincial Museum on September 22, with 63 exhibits on display, including 6 original national cultural relics and 57 calligraphy copies. The exhibition will last until October 28.

The thank-you letter written by the Chen Ye family in the United States to the Ministry of Culture revealed their family’s experience in participating in the top 100 cultural base activities and exploring Taiwanese culture through collecting stickers. They especially mentioned the enthusiastic assistance of Awa, the clerk of Bixin Bookstore, and shared the recovery story of Guangfu Bookstore, emphasizing that children can learn about Taiwan’s diverse culture through on-the-ground experience rather than relying solely on 3C products.

The Chinese Consulate General in New York held the second "Listening to the Moon" Mid-Autumn Festival Concert at the Rainbow Hall of Rockefeller Center in New York on the evening of September 21. Nearly a hundred overseas Chinese and American friends attended. Chinese violinist Huang Mengla and pianist Shen Jingtao jointly performed classic Chinese and Western repertoire. Consul General Chen Li delivered a speech, saying that Sino-US relations are at an important juncture, calling for strengthening exchanges and dialogue to promote constructive strategic and stable relations.
On the occasion of the 20th anniversary of the opening of the Suzhou Museum, Pei Li-zhong, son of I.M. Pei, held a lecture in Suzhou on the 22nd to discuss in depth his father’s architectural legacy, especially how the Suzhou Museum translated the logic of traditional Chinese gardens through modern techniques and became an architectural gift that spans cultures.

On September 22, the "Great Wall Gallery" cultural space of Shanhaiguan China Great Wall Museum was unveiled in Qinhuangdao, Hebei. During the event, 20 cultural, museum and research institutions along the Great Wall jointly issued an initiative to build a "Great Wall Narrative Community" and promote the protection, research and dissemination of Great Wall culture through a collaborative linkage mechanism.

The 2026 Beijing Cultural Forum opened in Beijing on September 22 with the theme of "Mutual Learning between Cultural Heritage and Civilizations". Experts and scholars from home and abroad will conduct in-depth discussions on topics such as cultural heritage protection, international cooperation, and scientific and technological applications, emphasizing the important role of cultural heritage in sustainable development and civilizational exchanges.